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The fonds consists of two accessions of material primarily related to Alan Drengson’s academic career. These include drafts of papers, books, and poems, as well as university course materials, grant applications, professional correspondence, and documents for The Ecostery Foundation and The Trumpeter Journal. The fonds also includes some personal records.

Photograph contains portrait image of Alan Hughes from the Theatre department.

Photograph is of Alexander G. Smith, Principal of Victoria High School from 1916-1920. For more information, see 'Come Give a Cheer' by Peter L. Smith, p. 72.

The fonds consists of correspondence with George Woodcock, editor of "Canadian Literature" in 1971, re his submission of a review of Robin Skelton's poetry, plus a first draft of the review; correspondence with Rampant Lions Press (Will and Sebastian Carter), 1976-1977, regarding the printing of a collection of Hutchison's broadsides, plus copies of the broadsides; manuscripts, correspondence, artwork, notebooks, research materials and miscellaneous [This large collection (1996-020) is only roughly sorted and is on loan]. Notable correspondence includes George Woodcock, Susan Musgrave, Dennis Brown and the Rampant Lion Press.

The fonds consists of an unidentified manuscript [unpublished novel?, 1955?]; typescript and corrected page proofs of "Alien Corn", 1944; typescripts, carbon typescripts, and galley proofs of "Art & Outrage", 1959, and "My Friend Henry Miller", 1955; plus some
correspondence with writers and publishers. Correspondents include Henry Miller, Anaïs Nin, Lawrence Durrell, Anne Rives and Neville Spearman Ltd. The fonds also consists of 5 watercolours by Alfred Perlès; correspondence to Jacqueline Randal from Anne Barret and her daughter, Isobel; newspaper articles; Alfred Perlès' typewriter; and a watercolour print by Henry Miller.

The fonds consists of Demers' collection of clippings from South African newspapers re: apartheid; pamphlets, correspondence, notes, brochures and clippings concerning South Africa and related matters; newspapers, magazines and journals published in and/or relating to South Africa, representing black, Jewish and Christian groups.

The fonds consists of typescripts of an unpublished novel "The Harmless Snake"; 3 unpublished books of poetry: "The Simon Poems", "Thy Harry's Company", "A Motley to the View"; typescript copies of five Egoyan screenplays (reworked by Bell) including: "Family Viewing" (1987) in 3 drafts; "Speaking Parts" (1989) in 5 drafts; The Adjuster (1991) 1 draft, "Exotica" (1995) 1 draft (not reworked by Bell) and "The Sweet Hereafter" (1997) in 3 drafts; some additional holograph notes and a notebook regarding the scripts and correspondence from Atom Egoyan to Bell 1985-1995 regarding the films. Additionally, there is correspondence from Irving Layton and others.