The fonds consists of four series:

Series 1: The Wyndham Lewis (1882-1957) series is a subject file compiled and arranged by C. J. Fox related to the Wyndham Lewis biography his writing and his art. It contains photocopies of several Lewis manuscripts and typescripts (some unpublished) and correspondence, articles, clippings, lectures, obituaries, reviews on Lewis and his books. There are photographs of Wyndham Lewis and his art, and correspondence to CJF with Froanna (Gladys Anne Wyndham Lewis) and other writers: Richard Aldington, Roy Campbell, about T.S. Eliot with Valerie Eliot; photocopies of Ezra Pound's war letters to Lewis), V.S. Pritchett, Kathleen Raine, Martin Seymour-Smith and George Woodcock. Correspondence with other critics and editors include: Walter Allen, Elliott Baker, D.G. Bridson, Robert Chapman, Geoffrey Grigson, Frank Kermode, Hugh Kenner, Bernard Lafoucade, Jeffrey Meyers, Paul O'Keefe, Hugh Gordon Porteous, W.K. Rose and E.W. F. Tomlin. There are also correspondence with WL art collector: Walter Michel and WL book collector Hugh Anson-Cartwright as well as file on artist and friend of WL, Michael Ayrton. There is also correspondence, book reviews, clippings and photocopies about specific publications, such as The Art of Being Ruled, The Apes of God and the C.J. Fox edited, Journey into Barbary. This is correspondence with people who Fox contacted or collaborated with. There are files on some of CJF's Lewis-related activities, such as exhibitions and publications and on particular subjects such as Wyndham Lewis in Canada (which includes letters from Lord Beaverbrook, Paul Martin Senior, Alex Colville, A.Y. Jackson to C.J. Fox), Notting Hill Gate (the "Rotting Hill" exhibition on three great men), World War I and Vorticism.

Series 2: the General series consists of more subject files containing correspondence, typescripts, manuscripts, photographs and research material pertaining to the other authors in the collection: Richard Aldington (including RA correspondence with A.S. Frere (photocopies) and files on Aldington's relations with Hilda Doolittle and T.E. Lawrence. There is also CJF correspondence about Aldington with Norman T Gates, Alison Palmer, E.G Roberts and David Wilkinson. This series also includes files on other writers collected by CJF: C.M Doughty, Ford Maddox Ford, Paul Fussell, Germans (Ernst Junger and Gottfried Benn), Xavier Herbert, Samuel Hynes, Robinson Jeffers, David Jones (including correspondence with Kathleen Raine and Bill Blisset), Hugh MacDiarmid, Graham McInnes, H.L Mencken and Ambrose Bierce, C.E Montague, Lewis Namier, Donald Pearce, William H. Pritchard, Alan Ross, Edmund Wilson and David Wright with more extensive correspondence files between CJF with C.H. Sisson and Julian Symons.

Series 3: The Miscellaneous series consists of clippings, correspondence and other enclosures removed from the Fox book collection and several audio cassettes including Lewis's "Crisis" talk on BBC Radio, a BBC reading by Timothy West from Blasting and Bombardiering and a radio dramatization of The Human Age.

Series 4: Wyndham Lewis related drawings and paintings collected by C.J Fox consists of art work of Wyndham Lewis and Michael Ayrton and Robert Colquhoun collected by Cy Fox. Some are reproductions of book jacket designs, WL paintings and posters produced for Wyndham Lewis exhibitions. There are also two artefacts. WL's table and ash tray which are shown in WL painting of Ezra Pound.

The fonds also consists of material pertaining to The Percy Wyndham Lewis Exhibition at Rugby School; a photograph of Cy Fox; an obituary for Maisie Wyndham Neil; research files pertaining to Wyndham Lewis, Ernst Junger, Corinne McLuhan, Vorticism, and Ezra Pound; a promotional video for The Lion and the Fox Exhibition; material pertaining to the National Portrait Gallery exhibition "Wyndham Lewis Portraits".

Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.

Fonds consists of the following series: Logbooks, 1979-94; Minutes and agenda, 1979-98; Correspondence, 1975-97; Subject files, 1981-97; Synoptic journals, 1988-97; Month-end reports, 1995-97; Record of deposits, 1988-1996; Year-end reports, 1991-96; Day-end sheets, 1992-1996; 3 audiocassettes, including an interview with C.B.C. re: Canada Customs seizing two comic books; a display entitled, "In the beginning, 1975...", and the Everywoman's Book stained glass window sign.

Fonds reflects Wise’s artistic inspirations, philosophical development, research interests, interactions with fellow artists and patrons, and relationships with galleries, art dealers, schools and arts organizations. The fonds consists of correspondence, sales lists, exhibition catalogues and lists, photographs, clippings, sketches, poems and calligraphy, scrapbooks and notebooks, teaching materials, curricula vitae and biographical documents, publications, and seals and other objects used by Wise in his art practice. Correspondents include Robert Amos, Pat Martin Bates, Pat Bovey, Brian Brett, Lin Chien-Shih, Stephen Cummings, Fleming Jorgensen, Stephen Gislason, Colin and Sheila Graham, Robin Hopper, Nick and Karin Koerner, Ramon Kubicek, Lobsang Lhalungpa, Chin-Shik Lin, Brian Longworth, Max Maynard, Avon Neal, Gary Lee Nova, Toni Onley, P.K. Page, Syn Richards, Martin Segger, Doris Shadbolt, Madeleine Shields, Robin Skelton, Huston Smith, Pete Trower, George Woodcock, and Myken Woods. The fonds has been arranged into four series: art practice; biographical; publications and essays by others; and teaching. The art practice series consists of five sub-series: photographs; posters; exhibition catalogues; correspondence; prose, poetry and small works; and notebooks, scrapbooks and clippings.

Fonds consists of manuscripts, correspondence, family documents, photographs, memorabilia about Georgia and Abkhazi family, and miscellaneous pamphlets. The manuscripts include a typescript of "Manuscript of (Mrs.) Peggy Pemberton-Carter written during internment in Lunghua Prison Camp, Shanghai", accompanying watercolours by Deirdre Fee and Lilian Schlee; typescript of "Dragon Aunt Remembers, 1900-1980", unpublished; photocopy of typescript "The Curious Cage", and an extensive photograph collection of the development of the Abkhazi garden.

Fonds consists of notes, correspondence, certificates, photographs, newspaper clippings, albums and artifacts relating to Wallace's life at Victoria College and the University of Victoria.