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The fonds consists of subject files that contain newspaper clippings, publications, manuscripts, programmes, photographs, certificates and art work. The files are arranged alphabetically by title and include files on the subjects of Ballet, Bastion Theatre, Conservatory of Music, Theatre and the Victoria Symphony.
Johnson, Audrey
The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.
The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.
Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.
The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.
Peterson, Margaret, 1902-1997
The fonds reflects the development of Harrison's career as a painter following 28 years as a teacher, and consists of the following series: Harrison Family and Personal; Accounting; Teaching; Art Works; Production; Harrison Appearances; Publishing; Projects; Galleries; Photography; and Miscellaneous Objects.
Harrison, Ted, 1926-
Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions.
The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.
Siebner, Herbert, 1925-2003
Fonds consists primarily of correspondence between E. J. Hughes and Max Stern. The first accession consists of original letters from Hughes to Stern, as well as a folder of location photographs taken by Hughes and photocopies of his descriptions of his paintings. The second accession consists of photocopies of letters from Stern and his assistants to Hughes, or to others regarding Hughes’s work. The final accession consists of a single folder of photocopies of correspondence between Hughes and Dominion representatives.
Hughes, E. J. (Edward John), 1913-2007
Fonds consists of four designs for the University of Victoria flag (1978) and other graphics, including preliminary sketches for the Chief Dan George wood mural and posters advertising theatrical productions; designs and plans for theatrical sets and stages (1964-1983), including the Phoenix Theatre Building, the Roger Bishop Theatre, and the Chief Dan George Theatre.
West, William Duncan, 1921-2007
The fonds consists of records relating to Hopper’s work and research as an artist; his teaching materials and outlines as an instructor for the Metchosin International Summer School of the Arts (M.I.S.S.A.); and drafts and manuscripts as a writer. The fonds also includes his research notes, slides, press clippings, correspondence, lecture notes, awards, photographs, and glaze samples.
Hopper, Robin
The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.
The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.
Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.
The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.
Howarth, Glenn
George Piternick and Anne Piternick Collection of Margaret Peterson
Correspondence with, and relating to, Margaret Peterson regarding paintings purchased by George Piternick. Correspondents include Peterson, Art Gallery of Greater Victoria, and a film production company making a documentary about the artist, and others, dating from 1967-1968. The four paintings by Peterson owned by Piternick were donated to the UBC Morris and Helen Belkin Art Gallery by Anne Piternick.
Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."
Meigs, Sandra, 1953-