Fonds consists of the following series: Correspondence, 1947-1995; Autobiography manuscripts, 1948-1995; Photographs, 1948-1980; Writing, 1940-1996; Subject files; Newspaper subject files; Newspaper reprints; Newspapers, 1958-1978; Scrapbook of B.C. provincial campaign, 1975; Recording of meeting with Andy Bigg and staff of Cowichan Pictorial regarding joining Union, 1973. The Newspapers include: a complete set of the Western Advocate, 1958-1959, and a complete set of front covers of the Cowichan Pictorial, 1966-1978.

Fonds consists of records relating to his career as a journalist and to his family life in Victoria. It has been arranged in two series, Autobiography and Writing. The Autobiography series consists of Archies autobiographical works, which document his service in World War I and his family life and career. It has been arranged into three sub-series: All in A Lifetime, My Life in the Army, and Travel. The Writing series consists of his published and unpublished work, and background material for it. The series shows his interest in making new generations of Victoria residents aware of their citys history and aware of World War I history. It has been arranged into two sub-series: Articles and Stories, and Broadcasts. Records include typed manuscripts, clippings of Archies published articles, photographs including photograph albums, diaries, scrapbooks, war medals, and ephemera.

The fonds consists of manuscripts published and unpublished, which include juvenilia, poetry and story drafts, and the author's annual holograph gatherings of completed poems. The fonds includes public addresses, children's stories, periodical off prints, page proofs of A Dryad in Nanaimo, reviews, family and biographical items, photographs, certificates, recordings of poems set to music, a printers plate, biographical material, and correspondence. Correspondence includes 34 letters from former Prime Minister Robert Borden. Artwork often accompanies juvenilia verse and later children's stories; the media used include: ink on paper illustrations, pencil sketches, and watercolour drawings. Newspaper clippings include the author's columns, stories and poems. Also included are photocopies of 60 letters written by Audrey Brown to Professor Pelham Edgar (1929-47). The originals are in the Pelham Edgar collection at Victoria University, Toronto. The fonds also consists of: newspaper clippings and biographical material re Audrey Alexandra Brown and her family; correspondence between Brown and Pelham Edgar; correspondence between Brown and Earle Birney; correspondence from Martin Burrell to Pelham Edgar re Brown; manuscripts by Brown.

Fonds consists of sixteen series: university employment; 1977-1996; university teaching, 1974-1988; grant applications, 1980-1995; publications, 1975-1997; conference papers, 1978-1991; presentations, 1980-1997; unpublished papers, 1975-1995; Gertrude Richardson research, 1985-1996; Leicester Peace Society research, 1992-1993; women's movement, 1983-1996; peace movement, 1986-1997; miscellaneous correspondence, 1979-1998; family correspondence, 1987-1997; illness and death, 1998; photographs, 1986-1993, and Canadian women peace activists oral history interviews, 1987-1989.

The university employment series includes curricula vitae, job applications, and self evaluation files which document Roberts employment history and her publications and committee work, etc. The university teaching series includes course outlines, take home exams, and student handouts which shed light on her approach to teaching. The grant applications and publications series together provide an overview of the range and direction of Roberts' research interests. While most of the series are based on record type, the Gertrude Richardson research and Leicester Peace Society Research series are arranged by subject and contain correspondence and grant applications; the Gertrude Richardson Research series also contains conference papers. The Women's movement and Peace movement series both contain correspondence, although some correspondence pertaining to them will be found in the miscellaneous and family correspondence series. While the miscellaneous and family correspondence series consist almost entirely of inward correspondence, both contain a few printouts of e-mail correspondence or letters from Roberts which shed light on her daily life and research projects. The Canadian Women Peace Activists series contains interviews about and with Canadian women who were peace activists before 1960.

The fonds consists firstly, of correspondence from many well known writers such as Margaret Atwood, Doug Beardsley, bill bissett, George Bowering, Marilyn Bowering, Robert Bringhurst, Barry Callaghan, Lorna Crozier, William Deverell, Timothy Findley, John Glassco, Robert Harlow, David Homel, Patrick Lane, Dennis Lee, Charles Lillard, Dorothy Livesay, Susan Musgrave, John Newlove, Sharon Olds, Michael Ondaatje, P.K. Page, George Payerle, Al Purdy, Joe Rosenblatt, Jane Rule, Jane Urqhuhart, and Sean Virgo. It is arranged in alphabetic series. Secondly, there are prose and poetry manuscripts. These are roughly divided into poetry and prose, with some large sections of late drafts intact. Thirdly, there are materials relating to the Writer's Union of Canada, Writers in Electronic Residence, political press clippings, material about his libel trial, and miscellaneous printed material.

The fonds consists primarily of drafts and research materials used to write his book "Frontier Theatre: A History of Nineteenth Century Theatrical Entertainment in the Canadian Far West and Alaska", published in 1982. Fonds includes musical scores and librettos, programs, photographs, scrapbook and four unpublished plays: "Murder Pattern," 1936; "Ascend as the Sun"; "Earth Song", by Herman Voaden; and "The Dragon", by Bertram Brooker.

The fonds consists of material relating to the production of his books, including correspondence, drafts and proofs. The fonds include Partridge's children's novel Thunderbird (1979), campus centred satirical short stories: Civil Distubances (2000) and Partridge's edition of the novel Will Warburton (1981), by George Gissing. There are also 2 letters from Hugh MacDiarmid (1958), and lecture notes from Dorothy Livesay.