Fonds consists of correspondence, memos, reports, photographs and maps relating to the Columbia River Treaty, 1950-1972, including the following series: Columbia River Treaty and projects, 1950-72; Other water and power projects, 1926-75 (including Skagit Valley, Fraser River, and water transfers); Lands and forests, 1956-76; BC Cellulose Co., 1976-78, 1984; and miscellaneous reference material. Inlcudes transcripts of the International Joint Commission Conference, 1959; and copies of the House of Commons Standing Committee on External Affairs, 19 March - 27 May, 1964.
The fonds consists of materials that are reflective of the functions and activities of the Bastion Theatre Company of British Columbia, previously operating as the Bastion Theatre Studio and the Victoria Theatre Studio, arranged into eight series: Board records, 1963-1989; Employment records, 1968-1988; Education records, 1965-1988; Marketing records, 1965,1969, 1974-1988; Administrative records, 1963-1988; Financial records, 1963-1989; Fundraising records, 1965-1989; and Production records, 1965-1989.
Collection consists of subject files documenting Michael Bigg's efforts to protect Robson Bight killer whales and their habitat; and Andy Bigg's campaign to stop MacMillan-Bloedel from damaging the whales habitat by logging in the Tsitika Valley.
Collection consists of photographs, newspaper articles and advertisements, and letters documenting the campaign of 1966, while Bigg was the Advertising Editor of the Twin Cities Times. Items have been arranged in numerical order by Bigg.
Fonds consists of certificates, gradesheets, correspondence and ephemera of Clearihue's school years and ephemera of her father, Joseph Badenoch Clearihue, and the University of Victoria.
Fonds reflects Carol Cross’s art process as well as her interest and involvement in the women’s movement. Fonds consists of Cross’s two handmade books: “In Their Words” and “Ten Historical BC Women”, as well as accompanying exhibition materials and related correspondence and ephemera.
Correspondents include Mary Billy, Andrea Trudel, and Michelle Benjamin.
Collection consists of brochures, catalogues, postcards, and posters amassed by Amos. Also included is scanned compilation of Amos’s Times Colonist articles and research material including handwritten notes, newspaper articles, and more related to the collector’s work in putting together a biography of the local artist, Myfanwy Pavelic (unpublished), and a biography of photographer Henry Mortimer Lamb titled, “Harold Mortimer Lamb: The Art Lover” (2013).