Collection consists of material compiled by Elsie Allan concerning theatre in Victoria and other locations in B.C. and in England. The collection includes notebooks of annotated scripts, scripts of plays, announcements and notices of meetings of the Victoria Theatre Guild, programmes of amateur and professional performances in Victoria, New York, and England, and programmes of the British Columbia, Dominion, Kelowna, and Vancouver Island Drama Festivals.
Also includes Allan's photographs of Victoria and Field, B.C., Camp Petawawa, Salisbury, England, France and unidentified B.C. locations during World War I. Many of the photographs depict the military.
The collection consists of two photograph albums comprised of photographs taken during Cameron's travels up the Mackenzie River with her niece, Jessie Cameron Brown, May to September, 1908, and photographs taken during Cameron's trip to Britain, 1909-1911. There are also photos of Cameron's trip to Alberta and the Northwest Territories along the Pace River. Some Canadian photographs were published in Cameron's book "The New North: Being Some Account of a Woman's Journey Through Canada to the Arctic" (1910).
The fonds consists of correspondence from 1953; incomplete set of minutes, 1954-1988; newsletters, annual and president's reports; photographs, including cruise photograph album; and several private pocket calendars.
English-Speaking Union of the Commonwealth. Victoria Branch
Fonds consists of records documenting Johnson's political and business careers, including constitutions and bylaws of political organizations, trade agreements, political cartoons and clippings; business records including correspondence, daily journals, financial records and contracts; personal family correspondence and insurance records, Johnson's army diary, and records relating to Byron's father, Oliver Johnson; photographs of the Johnson family and of Johnson with his cabinet and colleagues; correspondence regarding Johnson's work with the RCAF; publications, including newsletters, magazines, journals, annual reports and copies of speeches, some of which are annotated by Johnson or contain photographs, articles or obituaries about him; records regarding the visit of Princess Elizabeth and Prince Philip to Victoria, October 1951, including invitations to functions and photograph album of the visit prepared by the Daily Colonist newspaper.
Fonds consists of manuscripts, correspondence, family documents, photographs, memorabilia about Georgia and Abkhazi family, and miscellaneous pamphlets. The manuscripts include a typescript of "Manuscript of (Mrs.) Peggy Pemberton-Carter written during internment in Lunghua Prison Camp, Shanghai", accompanying watercolours by Deirdre Fee and Lilian Schlee; typescript of "Dragon Aunt Remembers, 1900-1980", unpublished; photocopy of typescript "The Curious Cage", and an extensive photograph collection of the development of the Abkhazi garden.
Fonds consists of records relating to his career as a journalist and to his family life in Victoria. It has been arranged in two series, Autobiography and Writing. The Autobiography series consists of Archies autobiographical works, which document his service in World War I and his family life and career. It has been arranged into three sub-series: All in A Lifetime, My Life in the Army, and Travel. The Writing series consists of his published and unpublished work, and background material for it. The series shows his interest in making new generations of Victoria residents aware of their citys history and aware of World War I history. It has been arranged into two sub-series: Articles and Stories, and Broadcasts. Records include typed manuscripts, clippings of Archies published articles, photographs including photograph albums, diaries, scrapbooks, war medals, and ephemera.
Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions. The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.
The fonds consists of an album of photographs taken when Sanderson was living in Egypt. Most are taken in Egypt but there are a few taken in other African locales and the Middle East. The photographs are mainly of the landscape and tourist attractions, but there are a few of military bases and equipment. Also included is a photo of Sanderson (ca. 1930).