The fonds consists of records generated and utilized by the 16th Battalion (The Canadian Scottish). The fonds is arranged into 11 alphabetically organized series. These series include aerial photographs of the Western Front, information of a World War One operation at the city of Lens, orders issued to the Battalion, personnel records, photographs, publications (including early editions of "The Brazier"), reports, scrapbooks, information on training, minutes of meetings of the Veterans Association of the 16th Battalion, and a design for the 16th Battalion war memorial.
The fonds consists of four photographs: one at The Calgary Herald and three of military groups, two of which are at the Gordon Head Training Camp; a military map of part of Italy; Richards' Service Pay Book; and various clippings, newspapers, and magazines.
The collection consists of two photograph albums comprised of photographs taken during Cameron's travels up the Mackenzie River with her niece, Jessie Cameron Brown, May to September, 1908, and photographs taken during Cameron's trip to Britain, 1909-1911. There are also photos of Cameron's trip to Alberta and the Northwest Territories along the Pace River. Some Canadian photographs were published in Cameron's book "The New North: Being Some Account of a Woman's Journey Through Canada to the Arctic" (1910).
Fonds consists of records related to Alan Austin’s activities as an educator and phycologist, including materials generated through major research projects and student projects, arranged into four series: 1. Seaweed Inventory Project; 2. Victoria Phenology Project; 3. Teaching and student material; and 4. Aquatic ecology projects. The Seaweed Inventory Project (SIP), in particular, is a valuable, detailed record and baseline survey of a substantial part of the coastline of BC, and the vegetation and biota (thus measurable on a global scale) supported at the time of the surveys done in 1972 and 1974. These data stand as a permanent record against which any coastal changes can be compared and measured. The sedentary, attached nature of coastal biota makes it particularly responsive to, and thus a sensitive indicator of changes in their environment. Forces of change include oil spills, toxic spills, runoff from land developments, marina construction, and natural catastrophic events. Series 1 has been arranged into four sub-series: SIP reports; SIP films and photographs; SIP correspondence and field notes; and SIP reference literature.
Collection consists of photographs, newspaper articles and advertisements, and letters documenting the campaign of 1966, while Bigg was the Advertising Editor of the Twin Cities Times. Items have been arranged in numerical order by Bigg.
The fonds consists of manuscripts published and unpublished, which include juvenilia, poetry and story drafts, and the author's annual holograph gatherings of completed poems. The fonds includes public addresses, children's stories, periodical off prints, page proofs of A Dryad in Nanaimo, reviews, family and biographical items, photographs, certificates, recordings of poems set to music, a printers plate, biographical material, and correspondence. Correspondence includes 34 letters from former Prime Minister Robert Borden. Artwork often accompanies juvenilia verse and later children's stories; the media used include: ink on paper illustrations, pencil sketches, and watercolour drawings. Newspaper clippings include the author's columns, stories and poems. Also included are photocopies of 60 letters written by Audrey Brown to Professor Pelham Edgar (1929-47). The originals are in the Pelham Edgar collection at Victoria University, Toronto. The fonds also consists of: newspaper clippings and biographical material re Audrey Alexandra Brown and her family; correspondence between Brown and Pelham Edgar; correspondence between Brown and Earle Birney; correspondence from Martin Burrell to Pelham Edgar re Brown; manuscripts by Brown.
The fonds consists of materials that are reflective of the functions and activities of the Bastion Theatre Company of British Columbia, previously operating as the Bastion Theatre Studio and the Victoria Theatre Studio, arranged into eight series: Board records, 1963-1989; Employment records, 1968-1988; Education records, 1965-1988; Marketing records, 1965,1969, 1974-1988; Administrative records, 1963-1988; Financial records, 1963-1989; Fundraising records, 1965-1989; and Production records, 1965-1989.
The fonds consists of records documenting the administrative and operational activities of the Belfry Theatre, arranged into the following series: Financial records, 1976-1988; General files, 1976-1989; Show files, 1977-1987; Newsletters, 1981-1986; Programmes and pamphlets, 1976-1984; Graphic materials, 1981, n.d.; and Sound tape cassettes, 1981.
The collection consists of a photograph album in an Japanese decorated lacquer case, done in the accordion manner. The two figures on the case have ivory heads inset. The album contains fifty 9.5 x 7.5 black and white photographs taken during the early part of the Boxer Rebellion, commencing in June 3 1900. It includes pictures of the destruction houses, larger buildings, railway lines, the capture of Chinese prisoners and various English, German and Japanese troops. Each photograph has its own typeset legend underneath
The collection consists of a carbon typescript, with her holograph corrections, of "D.H. Lawrence" (first version) and a carbon typescript, with her holograph corrections, of "W.B. Yeats: Some Memories", together with 2 photographs; one of Patmore and the other of W.B. Yeats, both taken at Rapallo 1928-29. Also included are two explanatory sheets by her son, Derek Patmore. The first is a typescript "Brigit Patmore & D.H. Lawrence", the second a manuscript "Some memories of WB Yeats by Brigit Patmore".