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Victoria College Players Club fonds
The fonds consists of four programmes for 1943, 1956, and 1957; 8 unidentified photographs for a production in 1942; and 1 photograph for "Night Must Fall" in 1951.
Victoria College (B.C.). Players Club
Fonds consists primarily of correspondence between E. J. Hughes and Max Stern. The first accession consists of original letters from Hughes to Stern, as well as a folder of location photographs taken by Hughes and photocopies of his descriptions of his paintings. The second accession consists of photocopies of letters from Stern and his assistants to Hughes, or to others regarding Hughes’s work. The final accession consists of a single folder of photocopies of correspondence between Hughes and Dominion representatives.
Hughes, E. J. (Edward John), 1913-2007
The fonds consists of four series: publicity, grants, correspondence and finance. The publicity series consists of advertising (programmes and brochures), news releases, press clippings and publicity photographs. The grants series consists of correspondence and applications to the BC Cultural Fund, Canada Council, Intermunicipal Committee, and the Koerner Foundation. The correspondence series consists of correspondence and related documentation with or regarding Actors' Equity Association, Attendance, Board of Governors, Emily Carr Centenary, Greater Victoria Centennial 71, McPherson Playhouse, Ottawa trip, and Victoria Fair Council. The financial series consists of budgets and accounts for 1969, 1970, and 1971.
Victoria Fair
The fonds consists of posters and programmes, press releases, clippings, and profile and photograph of George Corwin.
Concentus Corvinus
The fonds consists of programs, brochures, clippings and photographs, arranged by production. Productions include: a Bistro Car (1980); Canterbury Tales (1979); Godspell (1978); Man of La Mancha (1986); Pirates of Penzance (1984); Rodgers and Hart (1987); Two Score and More, nd; and several unidentified productions.
University of Victoria (B.C.). Music Theatre Workshop
The fonds consists of: "The amusing history of the Clearihue Organ" by Erich Schwandt; Committee correspondence, 1978-83, 1990; Correspondence with Lorenzo Brisson, 1964; Correspondence with Georges Mayer; Architectural drawings of Georges Mayer, 1964; Architectural drawings of Simon Platt, 1978; Architectural drawings of Wade Williams, 1979; Photographs; Newspaper clippings, 1979-81; and the programme of the inaugural concert, 1981.
University of Victoria (B.C.). Organ Committee
Fonds consists of materials that document many of the performances given by Kaleidoscope Theatre Productions, as well as the writing and directing activities of Liz Gorrie. Fonds includes both bound and unbound scripts, director’s notes, photocopies of newspaper and magazine articles, music sheets, programs, advertisements, two photographs, VHS tapes, audiocassette tapes, compact disks, one 8mm videotape and one floppy disk.
Kaleidoscope Theatre
Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions.
The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.
Siebner, Herbert, 1925-2003
Fonds consists of manuscripts, correspondence, family documents, photographs, memorabilia about Georgia and Abkhazi family, and miscellaneous pamphlets. The manuscripts include a typescript of "Manuscript of (Mrs.) Peggy Pemberton-Carter written during internment in Lunghua Prison Camp, Shanghai", accompanying watercolours by Deirdre Fee and Lilian Schlee; typescript of "Dragon Aunt Remembers, 1900-1980", unpublished; photocopy of typescript "The Curious Cage", and an extensive photograph collection of the development of the Abkhazi garden.
Abkhazi, Peggy, 1902-1994
Fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.
Naylor, Bernard James, 1907-1986