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The fonds consists of manuscripts published and unpublished, which include juvenilia, poetry and story drafts, and the author's annual holograph gatherings of completed poems. The fonds includes public addresses, children's stories, periodical off prints, page proofs of A Dryad in Nanaimo, reviews, family and biographical items, photographs, certificates, recordings of poems set to music, a printers plate, biographical material, and correspondence. Correspondence includes 34 letters from former Prime Minister Robert Borden. Artwork often accompanies juvenilia verse and later children's stories; the media used include: ink on paper illustrations, pencil sketches, and watercolour drawings. Newspaper clippings include the author's columns, stories and poems. Also included are photocopies of 60 letters written by Audrey Brown to Professor Pelham Edgar (1929-47). The originals are in the Pelham Edgar collection at Victoria University, Toronto. The fonds also consists of: newspaper clippings and biographical material re Audrey Alexandra Brown and her family; correspondence between Brown and Pelham Edgar; correspondence between Brown and Earle Birney; correspondence from Martin Burrell to Pelham Edgar re Brown; manuscripts by Brown.

The fonds consists of Turner's notebooks containing anecdotes, essays, notes, ideas and verse, plus microfilms of his works. Also included are photocopies of two works.

Fonds consists of 6 series: correspondence, 1961-1987, primarily Earle Birney; literary manuscripts, ca. 1954-1957, including fiction and plays; research, ca. 1962-1987; printed materials, ca. 1954-1988, primarily journal offprints and copies; indices, ca. 1962-1987. The indices consist of research card groups including: animals; slang dictionaries; women in medieval medicine; medieval medical books; symbolism; The Canterbury Tales, and miscellaneous subjects.

The fonds consists of: 1) correspondence - mainly with fellow writers including Patrick Lane, Susan Musgrave, George Payerle, Robin Skelton, and George Woodcock and with publishers; 2) manuscripts - mainly of his own poetry, drama, and prose, including a BC Bibliography of Literature; 3) notebooks - in which appear ideas, diary entries, drafts of work, etc.; and 4) audio cassettes (not yet listed).

The fonds consists of four series:

Series 1: The Wyndham Lewis (1882-1957) series is a subject file compiled and arranged by C. J. Fox related to the Wyndham Lewis biography his writing and his art. It contains photocopies of several Lewis manuscripts and typescripts (some unpublished) and correspondence, articles, clippings, lectures, obituaries, reviews on Lewis and his books. There are photographs of Wyndham Lewis and his art, and correspondence to CJF with Froanna (Gladys Anne Wyndham Lewis) and other writers: Richard Aldington, Roy Campbell, about T.S. Eliot with Valerie Eliot; photocopies of Ezra Pound's war letters to Lewis), V.S. Pritchett, Kathleen Raine, Martin Seymour-Smith and George Woodcock. Correspondence with other critics and editors include: Walter Allen, Elliott Baker, D.G. Bridson, Robert Chapman, Geoffrey Grigson, Frank Kermode, Hugh Kenner, Bernard Lafoucade, Jeffrey Meyers, Paul O'Keefe, Hugh Gordon Porteous, W.K. Rose and E.W. F. Tomlin. There are also correspondence with WL art collector: Walter Michel and WL book collector Hugh Anson-Cartwright as well as file on artist and friend of WL, Michael Ayrton. There is also correspondence, book reviews, clippings and photocopies about specific publications, such as The Art of Being Ruled, The Apes of God and the C.J. Fox edited, Journey into Barbary. This is correspondence with people who Fox contacted or collaborated with. There are files on some of CJF's Lewis-related activities, such as exhibitions and publications and on particular subjects such as Wyndham Lewis in Canada (which includes letters from Lord Beaverbrook, Paul Martin Senior, Alex Colville, A.Y. Jackson to C.J. Fox), Notting Hill Gate (the "Rotting Hill" exhibition on three great men), World War I and Vorticism.

Series 2: the General series consists of more subject files containing correspondence, typescripts, manuscripts, photographs and research material pertaining to the other authors in the collection: Richard Aldington (including RA correspondence with A.S. Frere (photocopies) and files on Aldington's relations with Hilda Doolittle and T.E. Lawrence. There is also CJF correspondence about Aldington with Norman T Gates, Alison Palmer, E.G Roberts and David Wilkinson. This series also includes files on other writers collected by CJF: C.M Doughty, Ford Maddox Ford, Paul Fussell, Germans (Ernst Junger and Gottfried Benn), Xavier Herbert, Samuel Hynes, Robinson Jeffers, David Jones (including correspondence with Kathleen Raine and Bill Blisset), Hugh MacDiarmid, Graham McInnes, H.L Mencken and Ambrose Bierce, C.E Montague, Lewis Namier, Donald Pearce, William H. Pritchard, Alan Ross, Edmund Wilson and David Wright with more extensive correspondence files between CJF with C.H. Sisson and Julian Symons.

Series 3: The Miscellaneous series consists of clippings, correspondence and other enclosures removed from the Fox book collection and several audio cassettes including Lewis's "Crisis" talk on BBC Radio, a BBC reading by Timothy West from Blasting and Bombardiering and a radio dramatization of The Human Age.

Series 4: Wyndham Lewis related drawings and paintings collected by C.J Fox consists of art work of Wyndham Lewis and Michael Ayrton and Robert Colquhoun collected by Cy Fox. Some are reproductions of book jacket designs, WL paintings and posters produced for Wyndham Lewis exhibitions. There are also two artefacts. WL's table and ash tray which are shown in WL painting of Ezra Pound.

The fonds also consists of material pertaining to The Percy Wyndham Lewis Exhibition at Rugby School; a photograph of Cy Fox; an obituary for Maisie Wyndham Neil; research files pertaining to Wyndham Lewis, Ernst Junger, Corinne McLuhan, Vorticism, and Ezra Pound; a promotional video for The Lion and the Fox Exhibition; material pertaining to the National Portrait Gallery exhibition "Wyndham Lewis Portraits".

The fonds consists of: research notes; correspondence; census material; manuscript photocopies, transcriptions and proofs produced in the production of The Winding Stair (1929): Manuscript materials for The Cornell Yeats (1995) published by Cornell University Press. In addition to material on Yeat's The Winding Stair (1929), the research includes related material from The Winding Stair and Other Poems (1933) and Words for Music Perhaps. Also included is a set of corrected page proofs for Druid Craft (1971).

The collection consists of Johnston's second typescript draft (as finally rejected) of "Shadowdance", later called "The Old Lady Says No!", with holograph corrections by W.B. Yeats and others. Also included are photocopies of several early drafts of this play, including the aforementioned. In addition, there is the author's proof copy, with corrections, of "The Brazen Horn, Lenaea 5" (1968) [probably for 2nd ed. 1969, amended to Lenaea 6]. The collection also consists of correspondence from Denis and Betty Johnston to Bill and Mary Harbold from 1973-1982; a signed photograph of Johnston; photocopies of book reviews and book chapters re Johnston; a copy of Nine Rivers from Jordan with final corrections; and a copy of the libretto of Nine Rivers from Jordan.