Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.
Fonds consists primarily of correspondence between E. J. Hughes and Max Stern. The first accession consists of original letters from Hughes to Stern, as well as a folder of location photographs taken by Hughes and photocopies of his descriptions of his paintings. The second accession consists of photocopies of letters from Stern and his assistants to Hughes, or to others regarding Hughes’s work. The final accession consists of a single folder of photocopies of correspondence between Hughes and Dominion representatives.
Fonds consists of materials that document many of the performances given by Kaleidoscope Theatre Productions, as well as the writing and directing activities of Liz Gorrie. Fonds includes both bound and unbound scripts, director’s notes, photocopies of newspaper and magazine articles, music sheets, programs, advertisements, two photographs, VHS tapes, audiocassette tapes, compact disks, one 8mm videotape and one floppy disk.
Fonds documents the activities of the Victoria Limners Society from 1972-2008 and includes correspondence, meeting minutes, financial records and society filings. It also contains records related to various group exhibits, including the Limners’ 25th anniversary exhibition in 1996, as well as records related to a book and video produced about the group. A small number of newspaper clippings, exhibition pamphlets, various editions of a booklet on the Limners Society artists and black and white photographs showing Limner members at exhibitions and meetings can be found in this fonds. This fonds has been arranged into into six series: 1) letters; 2) minutes; 3) financial records; 4) society filings; 5) 25th anniversary exhibition; and 6) publications and graphic materials.
The fonds consists of photocopies of articles about theatre in Victoria, a photocopy of Lambert's "A History and Directory of Commercial Playhouses in Victoria, British Columbia from the Beginning to the Present Day", and correspondence relating to the publication of Lambert's work.
Fonds consists of records created and used by Segger in his activities with the B.C. Heritage Trust and Advisory Board, the Heritage Canada Foundation, the City of Victoria Heritage Advisory Committee, the Esquimalt and Nanaimo Railway Committee, and with projects by University of Victoria students in architecture history. Fonds includes summaries of heritage preservation projects, minutes, correspondence, architectural drawings, newsclippings, policy statements, proposals for scholarships and building projects, newsletters, conference material, zoning information, flow charts, membership surveys, and architectural history projects undertaken by Segger's students; records of Segger's books and articles about Samuel Maclure; and, copies of photographs of houses designed by Maclure.
The fonds consists of architectural plans of Samuel Maclure for homes in Victoria, other B.C. locations, and out of province locations, as well as lists of people who commissioned homes by Maclure, including construction contracts. Fonds includes plans by English designer George P. Bankart; plans by H. D. Day; plans by other architects; and watercolours by Maclure of houses, proposed houses and alterations. The fonds also consists of 8 negatives made from copies of original drawings of Hatley Park and 3 photocopies of sketches of a bungalow designed for Mrs. Maltwood.