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The fonds consists of architectural plans and drawings by Di Castri for homes and buildings in Victoria and other locations in B.C. Fonds also includes notes, correspondence, construction contracts and photographs of commissioned projects, as well as portfolios, proposals, articles about Di Castri, notebooks, and manuscripts.

The fonds consists of correspondence, creative and academic working papers, and materials relating to Lawrence Durrell and his circle. In addition to Brigham's published and unpublished works, the fonds also hold unpublished materials by other authors. The Durrell-related materials include Brigham's partial reconstruction of Durrell's working library from his home in Sommières where Brigham visited him. The library was also reconstructed from Brigham's research at the Centre de Rechercher de Lawrence Durrell, founded by Francoise Kestman-Durrell, which has since been sold to l'Université Paris X in Nanterre. The fonds also includes a
number of photographs.

The fonds consists of: 1) correspondence - mainly with fellow writers including Patrick Lane, Susan Musgrave, George Payerle, Robin Skelton, and George Woodcock and with publishers; 2) manuscripts - mainly of his own poetry, drama, and prose, including a BC Bibliography of Literature; 3) notebooks - in which appear ideas, diary entries, drafts of work, etc.; and 4) audio cassettes (not yet listed).

The fonds consists primarily of typescript from "The Nightfishing" used for a radio broadcast; poetry worksheets for "Implements In Their Places", "Malcolm Mooney's Land", and "The Nightfishing"; correspondence with Crieff Williamson and Robin Skelton; and four notebooks, together with Robin Skelton's research notes. Also included is a typescript of "Aimed At Nobody", which was published posthumously, together with related publishing documents and correspondence. The final items are two folders of Graham's artwork and a silk screen portrait of Graham by William Featherston.

The fonds consists of approximately 550 presentation drawings, sketches, conceptual drawings, working drawings, technical drawings (inclusive of blueprints), travel sketches and photographs. These include exterior and interior renderings of plans and designs for work produced in both Europe and in China. The architectural collection consists of works by Hudec and two other unknown authors. The work of Hudec is transcribed in English, German and Chinese characters. The work of the unknown authors is transcribed in Hungarian and German. There are also 2 boxes of textual records including notes, notebooks, photo albums, documents, letters, memos, scrapbooks, photos, legal records, rare journals, and newspapers clippings.

The fonds consists of Turner's notebooks containing anecdotes, essays, notes, ideas and verse, plus microfilms of his works. Also included are photocopies of two works.

The fonds consists of rough drafts and notes for Sward's poetry and prose fiction; publicity material for poetry readings given by Sward; correspondence relating to monetary appraisal of Sward's papers, correspondence between Sward and Wayne Carver, and correspondence regarding grants; Sward's daily journals, lecture notes and notebooks; publications, including magazines, brochures, chapbooks and booklets; Sward family photographs and photographs of Sward with friends and fellow writers, and slides of art works by Judith Sward; art work for publications by Soft Press; film, "The July Movie", by Frederick Edell; and, correspondence, essay and notebook of Irina Schestakowich.

The fonds consists of records produced by Skelton during the course of his life and career, documenting his activities as a poet, scholar, teacher, prose fiction writer, critic, editor and white witch. Records relate to activities including his co-founding of the University of Victoria Department of Creative Writing, his editorship of "The Malahat Review", his involvement with the Lotus Press in England and the Pharos Press and Sono Nis Press in Victoria, his collaboration with Ann Saddlemyer on the "Collected Works of J. M. Synge" and "The World of W. B. Yeats", a symposium and exhibition held in 1965 honouring the centenary of Yeats' birth, and his association with such writers as Wilfred Rowland Childe and Bonamy Dobree. Skelton's correspondents include T. S. Eliot, W.H. Auden, Robert Graves, Margaret Atwood, Earle Birney, Bonamy Dobree, Paul Theroux, Kathleen Raine and many others.

The fonds consists of birth and marriage certificates, household accounts and naturalization papers; diaries and notebooks kept by Else Seel, including prose fragments, poetry, notes, draft letters to and about Ezra Pound, and ideas for stories and poems; carbon typescripts of works by Jim Clark and H.E. von Wittgenstein; music and lyrics written by Seel and others; coloured drawings of Else Lübcke, Gloria Seel, landscape scenes and copy of Emily Carr's "D'Sonoqua"; correspondence with family, friends and fellow writers, including Ezra and Dorothy Pound; photographs and photo albums of Else Seel with family and friends in Germany and Canada; transcripts and carbons of Seel's prose work, including stories in German and variant drafts of "Kanadisches Tagebuch" (Canadian Diary), and book reviews written by Seel; transcript drafts of German and English poems by Seel and translations by Seel of other poems; transcripts and clippings of Seel's published poems and prose and reviews of her work; German books on history and literature, musical scores, audio tapes of works read by Seel and others, and tape of family gatherings; scrapbooks of visits to California and mementos of Victoria.

The fonds consists primarily of correspondence with many individuals, including Richard Aldington, Wilfred R. Childe, Alex Comfort, Edward Dahlberg, Bonamy and Valentine Dobree, T. S. Eliot, Naum Gabo, Rayner Heppenstall, Barbara Hepworth, David Jones, Jacob Kramer, Percy Wyndham Lewis, Henry Miller, Henry Moore, Frank Morley, Edwin Muir, Ben Nicholson, Alfred R. Orage, George Orwell, Robert Payne, Kathleen Raine, Stephen Spender, Adrian Stokes, Allen Tate, Arthur W. Wheen, George Woodcock and Wilhelm Worringer. Also included are notebooks, worksheets, proofs and mimeographed BBC programs; mostly from the 1950s and 1960s.