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The fonds consists primarily of typescript from "The Nightfishing" used for a radio broadcast; poetry worksheets for "Implements In Their Places", "Malcolm Mooney's Land", and "The Nightfishing"; correspondence with Crieff Williamson and Robin Skelton; and four notebooks, together with Robin Skelton's research notes. Also included is a typescript of "Aimed At Nobody", which was published posthumously, together with related publishing documents and correspondence. The final items are two folders of Graham's artwork and a silk screen portrait of Graham by William Featherston.

The fonds consists of correspondence and drafts of poetry, plays and prose providing a window into the professional life of Tony Connor. The fonds contains drafts of Connor's collections, including With Love Somehow (1962), Things Unsaid: New and Selected Poems 1960–2005 (2006), and The Empty Air (2012). Correspondence includes letters from Connor to academic Larry Vonalt and from Hungarian-British poet George Gomori.

The digital files consist of poetry drafts and are dated from 2007 to 2021 according to their "Last Modified" dates. Original​​ file ​​formats ​​include ​​.doc​ and .docx files.

The fonds consists of a scrapbook, with photographs, kept by Sergeant Major Dempster of the 1st Battalion's training at Debert, Nova Scotia. It also includes a fonds of newspaper clippings from the First to the Second World War as well as Sergeant Major Dempster's correspondence and poetry.

The fonds consists firstly, of correspondence, incoming and outgoing (1945-2003): business, personal, and professional, including among the correspondents: Earle Birney, Susan Musgrave, Howard O'Hagan, P. K. Page, Jane Rule, Robin Skelton, Phyllis Webb, George Woodcock, and many others; secondly, of manuscripts of her own work - principally, her many works of poetry, drama, reviews, and prose, including her books: Journey Back To Peshawar ; Memory of Elsewhere-and the play A Family of Sorts. There are also manuscript of some of her colleagues - including J. Michael Yates, Michael Walbank, Theresa Kishkan, and Robin Skelton; thirdly, of materials from several literary organizations that she was involved with, including the Victoria Literary Arts Festival and the League of Canadian Poets - Women's Caucus ; fourthly, of ephemera, including photographs. The fonds consists of correspondence between Rona Murray and Phyllis Serota and a first draft typescript of "Adam and Eve in Middle Age".

The fonds consists of records produced by Skelton during the course of his life and career, documenting his activities as a poet, scholar, teacher, prose fiction writer, critic, editor and white witch. Records relate to activities including his co-founding of the University of Victoria Department of Creative Writing, his editorship of "The Malahat Review", his involvement with the Lotus Press in England and the Pharos Press and Sono Nis Press in Victoria, his collaboration with Ann Saddlemyer on the "Collected Works of J. M. Synge" and "The World of W. B. Yeats", a symposium and exhibition held in 1965 honouring the centenary of Yeats' birth, and his association with such writers as Wilfred Rowland Childe and Bonamy Dobree. Skelton's correspondents include T. S. Eliot, W.H. Auden, Robert Graves, Margaret Atwood, Earle Birney, Bonamy Dobree, Paul Theroux, Kathleen Raine and many others.

The fonds consists of rough drafts and notes for Sward's poetry and prose fiction; publicity material for poetry readings given by Sward; correspondence relating to monetary appraisal of Sward's papers, correspondence between Sward and Wayne Carver, and correspondence regarding grants; Sward's daily journals, lecture notes and notebooks; publications, including magazines, brochures, chapbooks and booklets; Sward family photographs and photographs of Sward with friends and fellow writers, and slides of art works by Judith Sward; art work for publications by Soft Press; film, "The July Movie", by Frederick Edell; and, correspondence, essay and notebook of Irina Schestakowich.

The collection consists of Graves' autograph diary (1935-1939), with enclosures including letters from his children, photographs, clippings, and transcripts of poems, articles and letters; correspondence written by Graves to various people, including Isla Cameron, Selwyn Jepson, Aemilia Laracuen, Andrew Mylett, and Raphael Patai; poetry worksheets (1965-1970) and prose and poetry worksheets (1970); manuscripts including essays, reviews, forewords, prefaces, articles, lectures, and for the works "King Jesus", "The Anger of Achilles", "Hebrew Myths: The Book of Genesis", "Greek Gods and Heroes", "An Ancient Castle", "La Luna de los Perros", and "Juvenalia and Other Poems"; photographs; and drawings of Majorca by Paul Hogarth. The collection is arranged in lots as its various parts were acquired not as a single purchase but from different book dealers at different times. The collection also consists of a copy of a letter from Robert Graves to UBC chemist Lionel Harrison with sample pages from the poetry book it refers to. The collection also consists of a portrait of RG by John Ulbricht done in 1968.

The fonds consists of a photocopy of Couchot's diary, 1808-1813, which includes recipes, poems, and an essay. Also included are copies of letters and documents which were enclosed. The original diary is in the possession of the donor of this fonds.

The fonds consists of a handwritten letter from Miron Grindea (Adam International); photocopies of typescript poems and translations (numbered and signed by Russell); reprint and photocopied typescript of two articles; photocopies of revised typescript and extracts from "Ephemeron" (also numbered and signed by Russell).

Fonds consists of records documenting Gilberts thoughts and experiences from childhood to early adulthood. The fonds have been arranged in four series: 1) academic and employment records; 2) correspondence; 3) journals; and 4) unbound prose and poetry.