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Fonds consists of correspondence, and manuscripts submitted for publication.

Fonds consists of manuscripts, correspondence, family documents, photographs, memorabilia about Georgia and Abkhazi family, and miscellaneous pamphlets. The manuscripts include a typescript of "Manuscript of (Mrs.) Peggy Pemberton-Carter written during internment in Lunghua Prison Camp, Shanghai", accompanying watercolours by Deirdre Fee and Lilian Schlee; typescript of "Dragon Aunt Remembers, 1900-1980", unpublished; photocopy of typescript "The Curious Cage", and an extensive photograph collection of the development of the Abkhazi garden.

Fonds consists of 6 series: correspondence, 1961-1987, primarily Earle Birney; literary manuscripts, ca. 1954-1957, including fiction and plays; research, ca. 1962-1987; printed materials, ca. 1954-1988, primarily journal offprints and copies; indices, ca. 1962-1987. The indices consist of research card groups including: animals; slang dictionaries; women in medieval medicine; medieval medical books; symbolism; The Canterbury Tales, and miscellaneous subjects.

Fonds consists of two series: biographical and subject. The biographical series includes resumes, recommendations, certificates, pilot's licenses, schooling correspondence, interviews, memoirs, articles and portrait photographs.;The subject series includes correspondence, publications, reports, operational documents (TCA), pilots logs, and photographs relating to: B.C. Airways, ca. 1928-1933; B.C. Air Lines Ltd., 1956-1959; Canadian Airways Ltd.,1933-1938; Trans-Canada Air Lines Ltd. (Air Canada), 1937-1994; Pakistan International Airlines (PIA), 1954-1992, and B.C. Airlines Ltd., 1956-1960.

Fonds consists of research files on various people and government officials, including E. Davie Fulton; Swainson's typescript of "International Development of the Columbia River"; U.S. Committee minutes; Canadian Committee minutes; and file card notes.

The collection consists of typescripts, photocopies of typescripts, dummies, page proofs, and paste-ups of "Premonitions and Gifts" and "Inside Passage".

The fonds consists of typescripts and proofs of novels (1968-1971), television scripts (1964-1969), contracts (1966-1970) and correspondence (1963-1971) with agents and publishing and broadcasting companies.

The collection consists of manuscripts, typescripts, page proofs, galley proofs, correspondence and original illustrations of early books published by the Dolmen Press, comprising some of the work of about 25 writers. Included among these authors are Austin Clarke, Padraic Colum, Thomas Kinsella, and Richard Murphy. Also included are translations of earlier works in Irish and an edition of one of W. B. Yeats' works.

The fonds consists of typescripts of an unpublished novel "The Harmless Snake"; 3 unpublished books of poetry: "The Simon Poems", "Thy Harry's Company", "A Motley to the View"; typescript copies of five Egoyan screenplays (reworked by Bell) including: "Family Viewing" (1987) in 3 drafts; "Speaking Parts" (1989) in 5 drafts; The Adjuster (1991) 1 draft, "Exotica" (1995) 1 draft (not reworked by Bell) and "The Sweet Hereafter" (1997) in 3 drafts; some additional holograph notes and a notebook regarding the scripts and correspondence from Atom Egoyan to Bell 1985-1995 regarding the films. Additionally, there is correspondence from Irving Layton and others.

The collection consists of correspondence from T. S. Eliot, photographs, a Lecture typescript with corrections, and an annotated book. The correspondence from Eliot is to: Mme. D. Bussy (including 1 unfinished reply and 2 from TSE's secretary) [1934-56]; Miss J.S. Bussy (daughter of above) [1939-56]; T. Tambimuttu [1959]; R. Thoma [1932]; M. Wykes-Joyce re Ezra Pound [1952] ; H.M. Belgion [1940-63]; Mrs. Harold Monro (Alida) [1934-60] including 2 photos; John Lehmann [1936-52]; Anthony Cronin [1958]; Francis Berry [1953] re Herbert Read. The typscript with corrections is TSE's lecture "From Poe to Valery". Also included is Herbert Read's The Education of Free Men (Freedom Press, 1944) with approx. 200 words of Eliot's holograph annotations throughout the text.