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The fonds consists of: 1) correspondence - mainly with fellow writers including Patrick Lane, Susan Musgrave, George Payerle, Robin Skelton, and George Woodcock and with publishers; 2) manuscripts - mainly of his own poetry, drama, and prose, including a BC Bibliography of Literature; 3) notebooks - in which appear ideas, diary entries, drafts of work, etc.; and 4) audio cassettes (not yet listed).

Fonds consists of records of the Malahat Review (Issues 1 through 64) and includes typescripts of articles, short stories and poems submitted to the magazine; galley proofs, page proofs; minutes of meetings of the Malahat Review Editorial Board; general financial and administrative records relating to the magazine's founding by Robin Skelton and John Peter; correspondence of Skelton and Peter concerning submissions to the magazine, requests for submissions to special issues, the magazine's financial crisis in 1975 and appeals to subscribers for support; account books recording works submitted; photographs; press releases; newsclippings.

The fonds consists of correspondence generated in course of business along with invoices and inventories. Some correspondence, such as that of Kathleen Raine, includes extended exchanges beyond that required for business purposes. Additionally, some manuscript material acquired by the business is included: i.e. Patrick Creagh, Derek Mahon, and Patrick McCartan's typescripts of letters from W. B. Yeats and Oliver St. John Gogarty.

The fonds consists of manuscripts and typescripts of: Reference West Chapbooks and Hawthorne Anthologies; Reference West publications such as B.C. Profiles, The Preview, Fortnightly Preview, The Poetry Newsletter, and Reference West; and Reference West Bibliographical Checklists, Catalogues and Symposia. It also includes some manuscript/typescript material not included in the Chapbooks, together with some correspondence from a few of the authors.

The fonds consists primarily of typescript from "The Nightfishing" used for a radio broadcast; poetry worksheets for "Implements In Their Places", "Malcolm Mooney's Land", and "The Nightfishing"; correspondence with Crieff Williamson and Robin Skelton; and four notebooks, together with Robin Skelton's research notes. Also included is a typescript of "Aimed At Nobody", which was published posthumously, together with related publishing documents and correspondence. The final items are two folders of Graham's artwork and a silk screen portrait of Graham by William Featherston.