The fonds consists of records relating to Saddlemyer's research on "Letters to Molly: John Millington Synge to Maire O'Neill" (1971), "Lady Gregory: Collected Plays" (1971), "Anglo-Irish Writers, 1911-1969", and the W.B. Yeats Symposium. The fonds include typescripts, galley and page proofs, correspondence, and a complete set of the typescripts of essays presented at the Yeats Symposium.
The fonds consists primarily of typescripts, together with a proof copy and dust jacket of "Ruth Pitter: Homage to a Poet". In addition, there is some correspondence to Russell from some of the potential contributors to the book, including John Betjeman, Philip Larkin, Norman MacCaig, John Masefield, and Iris Murdoch.
The fonds consists of manuscripts published and unpublished, which include juvenilia, poetry and story drafts, and the author's annual holograph gatherings of completed poems. The fonds includes public addresses, children's stories, periodical off prints, page proofs of A Dryad in Nanaimo, reviews, family and biographical items, photographs, certificates, recordings of poems set to music, a printers plate, biographical material, and correspondence. Correspondence includes 34 letters from former Prime Minister Robert Borden. Artwork often accompanies juvenilia verse and later children's stories; the media used include: ink on paper illustrations, pencil sketches, and watercolour drawings. Newspaper clippings include the author's columns, stories and poems. Also included are photocopies of 60 letters written by Audrey Brown to Professor Pelham Edgar (1929-47). The originals are in the Pelham Edgar collection at Victoria University, Toronto. The fonds also consists of: newspaper clippings and biographical material re Audrey Alexandra Brown and her family; correspondence between Brown and Pelham Edgar; correspondence between Brown and Earle Birney; correspondence from Martin Burrell to Pelham Edgar re Brown; manuscripts by Brown.
The fonds consists of material relating to the production of his books, including correspondence, drafts and proofs. The fonds include Partridge's children's novel Thunderbird (1979), campus centred satirical short stories: Civil Distubances (2000) and Partridge's edition of the novel Will Warburton (1981), by George Gissing. There are also 2 letters from Hugh MacDiarmid (1958), and lecture notes from Dorothy Livesay.
The fonds consists of: research notes; correspondence; census material; manuscript photocopies, transcriptions and proofs produced in the production of The Winding Stair (1929): Manuscript materials for The Cornell Yeats (1995) published by Cornell University Press. In addition to material on Yeat's The Winding Stair (1929), the research includes related material from The Winding Stair and Other Poems (1933) and Words for Music Perhaps. Also included is a set of corrected page proofs for Druid Craft (1971).
The collection consists of Johnston's second typescript draft (as finally rejected) of "Shadowdance", later called "The Old Lady Says No!", with holograph corrections by W.B. Yeats and others. Also included are photocopies of several early drafts of this play, including the aforementioned. In addition, there is the author's proof copy, with corrections, of "The Brazen Horn, Lenaea 5" (1968) [probably for 2nd ed. 1969, amended to Lenaea 6]. The fonds also consists of correspondence from Denis and Betty Johnston to Bill and Mary Harbold from 1973-1982; a signed photograph of Johnston; photocopies of book reviews and book chapters re Johnston; a copy of Nine Rivers from Jordan with final corrections; and a copy of the libretto of Nine Rivers from Jordan.
The collection consists of manuscripts, typescripts, page proofs, galley proofs, correspondence and original illustrations of early books published by the Dolmen Press, comprising some of the work of about 25 writers. Included among these authors are Austin Clarke, Padraic Colum, Thomas Kinsella, and Richard Murphy. Also included are translations of earlier works in Irish and an edition of one of W. B. Yeats' works.
The collection consists firstly, of poetry manuscripts and proofs including "Personae", "Lustra", and "Canzoni and Ripostes"; secondly, a prose manuscript of "That Audience, or the Bugaboo of the Public"; and thirdly, of correspondence to Elkin Mathews (publisher), St. John Adcock, Harry and Caresse Crosby (Black Sun Press), Louis Zukofsky, The British Union of Fascists, T. S. Eliot, Montgomery Belgion, Michael Harald, Clifford Gessler, and others.
The collection consists of: Barker's correspondence (1934-1964); news clippings (1933-1968); sketches (1963-1965); holographs and transcripts of essays (1937-1969); notebooks; holographs and typescripts of poetry (1954-1970); contracts (1933-1964); marked proofs; a heavily annotated copy of Elizabeth Smart's A Bonus (1977), and an annotated copy of Aristotle's Poetics etc., which Barker used for reviewing Ezra Pound's XXX Cantos.