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Fonds consists of records of the Malahat Review (Issues 1 through 64) and includes typescripts of articles, short stories and poems submitted to the magazine; galley proofs, page proofs; minutes of meetings of the Malahat Review Editorial Board; general financial and administrative records relating to the magazine's founding by Robin Skelton and John Peter; correspondence of Skelton and Peter concerning submissions to the magazine, requests for submissions to special issues, the magazine's financial crisis in 1975 and appeals to subscribers for support; account books recording works submitted; photographs; press releases; newsclippings.

The fonds consists primarily of correspondence with many individuals, including Richard Aldington, Wilfred R. Childe, Alex Comfort, Edward Dahlberg, Bonamy and Valentine Dobree, T. S. Eliot, Naum Gabo, Rayner Heppenstall, Barbara Hepworth, David Jones, Jacob Kramer, Percy Wyndham Lewis, Henry Miller, Henry Moore, Frank Morley, Edwin Muir, Ben Nicholson, Alfred R. Orage, George Orwell, Robert Payne, Kathleen Raine, Stephen Spender, Adrian Stokes, Allen Tate, Arthur W. Wheen, George Woodcock and Wilhelm Worringer. Also included are notebooks, worksheets, proofs and mimeographed BBC programs; mostly from the 1950s and 1960s.

The fonds consists of material relating to the production of his books, including correspondence, drafts and proofs. The fonds include Partridge's children's novel Thunderbird (1979), campus centred satirical short stories: Civil Distubances (2000) and Partridge's edition of the novel Will Warburton (1981), by George Gissing. There are also 2 letters from Hugh MacDiarmid (1958), and lecture notes from Dorothy Livesay.

The fonds consists of manuscripts published and unpublished, which include juvenilia, poetry and story drafts, and the author's annual holograph gatherings of completed poems. The fonds includes public addresses, children's stories, periodical off prints, page proofs of A Dryad in Nanaimo, reviews, family and biographical items, photographs, certificates, recordings of poems set to music, a printers plate, biographical material, and correspondence. Correspondence includes 34 letters from former Prime Minister Robert Borden. Artwork often accompanies juvenilia verse and later children's stories; the media used include: ink on paper illustrations, pencil sketches, and watercolour drawings. Newspaper clippings include the author's columns, stories and poems. Also included are photocopies of 60 letters written by Audrey Brown to Professor Pelham Edgar (1929-47). The originals are in the Pelham Edgar collection at Victoria University, Toronto. The fonds also consists of: newspaper clippings and biographical material re Audrey Alexandra Brown and her family; correspondence between Brown and Pelham Edgar; correspondence between Brown and Earle Birney; correspondence from Martin Burrell to Pelham Edgar re Brown; manuscripts by Brown.

The fonds consists of records documenting Cuomo's writing activities. Fonds includes notebooks and lists recording hours worked and money earned from his writing; notes, variant drafts and proofs for his novels, short stories and poems, as well as news clippings and other research material; variant drafts of an unpublished play; variant drafts of essays, articles and book reviews; brochures and other ephemera.

The collection consists mainly of material generated in the process of publishing the book Yeats the Initiate (1986), consisting of typescripts, drafts, paste-ups, illustrations, and proofs; plus correspondence, mainly to Liam Miller at the Dolmen Press.

The collection consists firstly, of poetry manuscripts and proofs including "Personae", "Lustra", and "Canzoni and Ripostes"; secondly, a prose manuscript of "That Audience, or the Bugaboo of the Public"; and thirdly, of correspondence to Elkin Mathews (publisher), St. John Adcock, Harry and Caresse Crosby (Black Sun Press), Louis Zukofsky, The British Union of Fascists, T. S. Eliot, Montgomery Belgion, Michael Harald, Clifford Gessler, and others.

The fonds consists of an unidentified manuscript [unpublished novel?, 1955?]; typescript and corrected page proofs of "Alien Corn", 1944; typescripts, carbon typescripts, and galley proofs of "Art & Outrage", 1959, and "My Friend Henry Miller", 1955; plus some
correspondence with writers and publishers. Correspondents include Henry Miller, Anaïs Nin, Lawrence Durrell, Anne Rives and Neville Spearman Ltd. The fonds also consists of 5 watercolours by Alfred Perlès; correspondence to Jacqueline Randal from Anne Barret and her daughter, Isobel; newspaper articles; Alfred Perlès' typewriter; and a watercolour print by Henry Miller.

The collection consists of Johnston's second typescript draft (as finally rejected) of "Shadowdance", later called "The Old Lady Says No!", with holograph corrections by W.B. Yeats and others. Also included are photocopies of several early drafts of this play, including the aforementioned. In addition, there is the author's proof copy, with corrections, of "The Brazen Horn, Lenaea 5" (1968) [probably for 2nd ed. 1969, amended to Lenaea 6]. The collection also consists of correspondence from Denis and Betty Johnston to Bill and Mary Harbold from 1973-1982; a signed photograph of Johnston; photocopies of book reviews and book chapters re Johnston; a copy of Nine Rivers from Jordan with final corrections; and a copy of the libretto of Nine Rivers from Jordan.

The fonds consists of personal, business and publishing correspondence (1953-1982), and also five handwritten letters to Arthur William Wallace (1931-1978); typescripts of O'Hagan's unpublished autobiography, proposed novels and unpublished short stories and articles; notes, variant drafts and page proofs of "The School-Marm Tree"; photographs of O'Hagan and other O'Hagan family members and friends; published articles about O'Hagan and his work, programmes of ceremonies, greeting cards, and bibliography of O'Hagan's works; audio tape interview with O'Hagan, conducted by E.J. Hart in Victoria. Also included is a small amount of Margaret Peterson (O'Hagan) material, consisting of a typescript of "My Life With Howard O'Hagan" and manuscript poetry drafts.