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The collection consists of two medieval manuscript fragments, two incunabula, and a Herodian coin.

The fonds consists of: 1) correspondence - mainly with fellow writers including Patrick Lane, Susan Musgrave, George Payerle, Robin Skelton, and George Woodcock and with publishers; 2) manuscripts - mainly of his own poetry, drama, and prose, including a BC Bibliography of Literature; 3) notebooks - in which appear ideas, diary entries, drafts of work, etc.; and 4) audio cassettes (not yet listed).

Fonds consists of correspondence, and manuscripts submitted for publication.

Fonds consists of correspondence, 1993-99; minutes, 1995-99; articles, 1989-2000; brochures; news clippings, 1985-99; scrap books, 1987-99; songs; newsletters, 1997-99; manuscript "Singing in the Rain," n.d.; oral history interview, n.d.; and photographs, 1987-99.

The fonds consists primarily of drafts and research materials used to write his book "Frontier Theatre: A History of Nineteenth Century Theatrical Entertainment in the Canadian Far West and Alaska", published in 1982. Fonds includes musical scores and librettos, programs, photographs, scrapbook and four unpublished plays: "Murder Pattern," 1936; "Ascend as the Sun"; "Earth Song", by Herman Voaden; and "The Dragon", by Bertram Brooker.