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The fonds consists firstly, of correspondence from many well known writers such as Margaret Atwood, Doug Beardsley, bill bissett, George Bowering, Marilyn Bowering, Robert Bringhurst, Barry Callaghan, Lorna Crozier, William Deverell, Timothy Findley, John Glassco, Robert Harlow, David Homel, Patrick Lane, Dennis Lee, Charles Lillard, Dorothy Livesay, Susan Musgrave, John Newlove, Sharon Olds, Michael Ondaatje, P.K. Page, George Payerle, Al Purdy, Joe Rosenblatt, Jane Rule, Jane Urqhuhart, and Sean Virgo. It is arranged in alphabetic series. Secondly, there are prose and poetry manuscripts. These are roughly divided into poetry and prose, with some large sections of late drafts intact. Thirdly, there are materials relating to the Writer's Union of Canada, Writers in Electronic Residence, political press clippings, material about his libel trial, and miscellaneous printed material.

The fonds consists of birth and marriage certificates, household accounts and naturalization papers; diaries and notebooks kept by Else Seel, including prose fragments, poetry, notes, draft letters to and about Ezra Pound, and ideas for stories and poems; carbon typescripts of works by Jim Clark and H.E. von Wittgenstein; music and lyrics written by Seel and others; coloured drawings of Else Lübcke, Gloria Seel, landscape scenes and copy of Emily Carr's "D'Sonoqua"; correspondence with family, friends and fellow writers, including Ezra and Dorothy Pound; photographs and photo albums of Else Seel with family and friends in Germany and Canada; transcripts and carbons of Seel's prose work, including stories in German and variant drafts of "Kanadisches Tagebuch" (Canadian Diary), and book reviews written by Seel; transcript drafts of German and English poems by Seel and translations by Seel of other poems; transcripts and clippings of Seel's published poems and prose and reviews of her work; German books on history and literature, musical scores, audio tapes of works read by Seel and others, and tape of family gatherings; scrapbooks of visits to California and mementos of Victoria.

The collection consists firstly, of poetry manuscripts and proofs including "Personae", "Lustra", and "Canzoni and Ripostes"; secondly, a prose manuscript of "That Audience, or the Bugaboo of the Public"; and thirdly, of correspondence to Elkin Mathews (publisher), St. John Adcock, Harry and Caresse Crosby (Black Sun Press), Louis Zukofsky, The British Union of Fascists, T. S. Eliot, Montgomery Belgion, Michael Harald, Clifford Gessler, and others.

The fonds consists of records of Herbert Thomas John Coleman, including worksheets of his poetry and prose (also including two poems and an essay by his brother, Rufus Arthur Coleman); Coleman family photographs and negatives, financial records and certificates; correspondence from Coleman to other family members; scrapbooks of Coleman's poems, clippings and brochures; academic journals containing essays by Coleman and copies of Coleman's illustrated books for children, containing holograph inscriptions and extensive annotations.

The fonds consists of correspondence and drafts of poetry, plays and prose providing a window into the professional life of Tony Connor. The fonds contains drafts of Connor's collections, including With Love Somehow (1962), Things Unsaid: New and Selected Poems 1960–2005 (2006), and The Empty Air (2012). Correspondence includes letters from Connor to academic Larry Vonalt and from Hungarian-British poet George Gomori.

The digital files consist of poetry drafts and are dated from 2007 to 2021 according to their "Last Modified" dates. Original​​ file ​​formats ​​include ​​.doc​ and .docx files.