The fonds consists of personal, business and publishing correspondence (1953-1982), and also five handwritten letters to Arthur William Wallace (1931-1978); typescripts of O'Hagan's unpublished autobiography, proposed novels and unpublished short stories and articles; notes, variant drafts and page proofs of "The School-Marm Tree"; photographs of O'Hagan and other O'Hagan family members and friends; published articles about O'Hagan and his work, programmes of ceremonies, greeting cards, and bibliography of O'Hagan's works; audio tape interview with O'Hagan, conducted by E.J. Hart in Victoria. Also included is a small amount of Margaret Peterson (O'Hagan) material, consisting of a typescript of "My Life With Howard O'Hagan" and manuscript poetry drafts.
The fonds consists of records relating to Peter's teaching and research activities, including research grant applications, letters of recommendation and lists of bibliographic citations; notes, outlines, fragments, notebooks, manuscripts and galleys for "Along That Coast", "Take Hands at Winter" and "Runaway", as well as unpublished novels by Peter and correspondence with publishers regarding "Along That Coast" and "Runaway". The fonds include a small amount of material relating to Professor Peter's research and teaching activities, but primarily they document his writing activities, particularly the preparation of his novels, as well as unpublished works of fiction and essays.
Fonds consists of project files including correspondence, funding, proposals, newspaper clippings, research papers; journals and notebook; scrapbook entitled "Building of Change: the process exposed"; oral history interview tapes; video recordings. Audio cassettes included records interviews with: Jacquie Ackerly, Sharon Chow, Harrinder Dhillon, Dorothy Livingston, Norrie Preston, and Joan Russo.
Fonds consists of correspondence, reports, clippings, photographs and hand-drawn maps that document Madsen's involvement in various environmental campaigns in the Okanagan region. Campaigns include: Bodega Head, 1962; Brent Mountain, 1961-92; Spotted Lake, 1978-89; Trout Creek, 1972-93; and Uranium, 1971-95. The fonds also includes several files on the Sierra Club, 1971-83; and the Okanagan Similkameen Parks Society, 1966-69; and 4 chalk drawings of landscapes.
The collection consists of the following files: Smiths research essay, Big sky, big mystery, 2001; Gordon Head Special W/T Station reunion planning, 2001; Research correspondence, 2001; National Archives copies of Department of National Defense documents, 1942-45; National Archives copy of Notes on the history of the Operational Intelligence Centre in Canada, n.d.; National Archives copies of photographs of Gordon Head Special W/T Station, the D/F Hut, and the Y Station.
The fonds consists of Jackman's correspondence with friends, publishers, institutions and colleagues; diaries; material related to the Maltwood Museum; papers written by Jackman as a student, including his MA thesis; published works by Jackman; records of the University of Victoria and material related to Jackman's academic career and duties; course outlines; reading lists; notes for classes taught by Jackman; drafts of manuscripts; correspondence for books written or edited by Jackman; photographs and slides; photo albums of Peggy Abkhazi and E.T. Anfield, Jackman's uncle; and other ephemera collected by Jackman.
Fonds reflects Niela Miller’s public involvement in transgender education and counseling of the trans* community and “gender identity explorers.” Miller’s work, focused primarily in the United States, is represented here in the records of her workshops, presentations, and publications. Fonds consists of correspondence, notes, photographs, publications and reviews, brochures, graphic materials, audiocassettes, and other materials.
Fonds has been arranged into four series: Workshops and presentations; publications and clippings; photographs; and audio-visual.
The fonds consists of records documenting the life and work of Maltwood, including notebook containing Maltwood's notes on art history; certificates from the British Empire Exhibitions of 1924 and 1925, and certificate of membership in the Grand Lodge of England (Ancient Masonry); Maltwood's will (1959); family and business correspondence; correspondence, maps, aerial photographs articles and research notes on the Glastonbury Zodiac Project; published articles and monographs by Maltwood and reviews of Maltwood's works by others; notebooks of clippings compiled by Maltwood; collected material including periodicals, catalogues, pamphlets, clippings; photographs of sculptures by Maltwood, and photographs of the Maltwood and Sapsworth families; catalogues and programmes of the Maltwood Art Museum. Also included are materials from the Katherine Maltwood Media Project.
The fonds consists of birth and marriage certificates, household accounts and naturalization papers; diaries and notebooks kept by Else Seel, including prose fragments, poetry, notes, draft letters to and about Ezra Pound, and ideas for stories and poems; carbon typescripts of works by Jim Clark and H.E. von Wittgenstein; music and lyrics written by Seel and others; coloured drawings of Else Lübcke, Gloria Seel, landscape scenes and copy of Emily Carr's "D'Sonoqua"; correspondence with family, friends and fellow writers, including Ezra and Dorothy Pound; photographs and photo albums of Else Seel with family and friends in Germany and Canada; transcripts and carbons of Seel's prose work, including stories in German and variant drafts of "Kanadisches Tagebuch" (Canadian Diary), and book reviews written by Seel; transcript drafts of German and English poems by Seel and translations by Seel of other poems; transcripts and clippings of Seel's published poems and prose and reviews of her work; German books on history and literature, musical scores, audio tapes of works read by Seel and others, and tape of family gatherings; scrapbooks of visits to California and mementos of Victoria.
The collection consists of a handwritten note to an unknown correspondent, in which he outlines the Shakespearian music that he has composed. Additions, in a different colour ink, (probably in a different hand) have been made at the beginning.
