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The fonds documents Aiyyana Maracle life and work as performance artist and writer, creator of and participant in arts festivals, her committee and conference work, scholarship, teaching, Six Nations land rights activism, transgender visibility and health projects, and personal activities. Records consist of textual records, graphic material, analog and digital sound and video recordings, and objects. Objects are comprised of garments, masks, accessories, animal bones and skins, and miscellaneous objects used in performance art and art installations. The fonds is arranged into ten series: performance art, visual art, writing, scholarship, conferences and committees, Six Nations activism, two-spirit and transgender material, notebooks and loose notes, personal records, and bibliographic records.

Fonds consists of records relating to Clearihue's activities: McGill University, 1910-11; Oxford University, 1912-14; World War 1, 1916-18; Victoria College, 1948-63; Victoria College Development, 1945-56; University Development, 1959-66; University of Victoria, 1964-76; University of Victoria Foundation, 1973-76; Awards, medals and pins; Personal records, 1888-72; Travel ephemera, 1913-20; Photographs, 1908-1919; Scrapbooks and related material, 1909-1994; and microform of correspondence relating to Victoria College and University of Victoria, 1952-62.

Fonds consists of diaries and correspondence. The diaries (personal diaries, travel diaries, "Novice Ruth" diaries) provide an extensive record of her personal reflections on her activities and views from 1931-1950, after which time they become less comprehensive. The correspondence includes some inward correspondence, and transcribed copies of outward correspondence from 1949-1955.

Fonds consists of records relating to his career as a journalist and to his family life in Victoria. It has been arranged in two series, Autobiography and Writing. The Autobiography series consists of Archies autobiographical works, which document his service in World War I and his family life and career. It has been arranged into three sub-series: All in A Lifetime, My Life in the Army, and Travel. The Writing series consists of his published and unpublished work, and background material for it. The series shows his interest in making new generations of Victoria residents aware of their citys history and aware of World War I history. It has been arranged into two sub-series: Articles and Stories, and Broadcasts. Records include typed manuscripts, clippings of Archies published articles, photographs including photograph albums, diaries, scrapbooks, war medals, and ephemera.

Fonds consists of a diary and correspondence. The personal diary, 1952-1957, discusses weather, family and social activities, and some medical activities, and includes enclosures of programmes, invitations and clippings. The correspondence, 1954-59, is regarding publications and a journalism course.

Fonds consists of correspondence and household finances, 1931-1951; Scott's 11 published scores, 1929-1931; Scott's 17 manuscript scores, 1931-1937; records of the Victoria Plectral Orchestra, 1935-1946; music students register, 1930-1949; diaries, 1931, 1934-1951. The diaries include short daily entries about weather, students, appointments and household activities. On occasion, the back page of annual diaries contain a list of items such as orchestra compositions and rents paid. The donation also included a tin sign for Scott's music studio: "Percy Scott Studio: mandolin, guitar etc."

Fonds consists of 4 series: the Frank Sylvester series, ca. 1862-1908; the Cecelia Davies Sylvester series, ca. 1854-1928; Family ephemera series, 1867-1918, and Photographs, ca. 1870-1950. The Frank Sylvester series includes: cannery contracts, legal invoices, lecture manuscripts, and a diary. The Cecelia Davies Sylvester series includes: an autograph book, and scrapbooks containing clippings, photographs and ephemera. The Family ephemera series includes: biographical information, documents, pamphlets and publications. The Photographs series includes: photographs, negatives, and glass plate negatives.

Fonds consists of manuscripts, correspondence, family documents, photographs, memorabilia about Georgia and Abkhazi family, and miscellaneous pamphlets. The manuscripts include a typescript of "Manuscript of (Mrs.) Peggy Pemberton-Carter written during internment in Lunghua Prison Camp, Shanghai", accompanying watercolours by Deirdre Fee and Lilian Schlee; typescript of "Dragon Aunt Remembers, 1900-1980", unpublished; photocopy of typescript "The Curious Cage", and an extensive photograph collection of the development of the Abkhazi garden.

Fonds consists of records documenting Johnson's political and business careers, including constitutions and bylaws of political organizations, trade agreements, political cartoons and clippings; business records including correspondence, daily journals, financial records and contracts; personal family correspondence and insurance records, Johnson's army diary, and records relating to Byron's father, Oliver Johnson; photographs of the Johnson family and of Johnson with his cabinet and colleagues; correspondence regarding Johnson's work with the RCAF; publications, including newsletters, magazines, journals, annual reports and copies of speeches, some of which are annotated by Johnson or contain photographs, articles or obituaries about him; records regarding the visit of Princess Elizabeth and Prince Philip to Victoria, October 1951, including invitations to functions and photograph album of the visit prepared by the Daily Colonist newspaper.

Fonds consists of records of the Logan, Small and Wadsworth families, including photographs of Logan family members; financial records, high school and teachers certificates, autograph book and photographs of members of the Small family; and Wadsworth family records, including diaries, personal and business correspondence, legal documents, marriage settlements, postcards, notebooks, unpublished poems and drawings.