Fonds consists primarily of correspondence between E. J. Hughes and Max Stern. The first accession consists of original letters from Hughes to Stern, as well as a folder of location photographs taken by Hughes and photocopies of his descriptions of his paintings. The second accession consists of photocopies of letters from Stern and his assistants to Hughes, or to others regarding Hughes’s work. The final accession consists of a single folder of photocopies of correspondence between Hughes and Dominion representatives.
The collection consists of a woodblock and a signed pencil drawing of a "Mother and Child" (used as a Christmas card for the Peace Pledge Union); a collotype reproduction of a signed pencil drawing of David Pepler; a typed, signed letter to ? Henderson re: the Catholic Church and the Trade Union Movement, with a pencil draft on verso (illegible?); and eight signed engravings to illustrate Patrick Miller's "The Green Ship" (Golden Cockerel Press).
Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions. The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.
The fonds consists of approximately 550 presentation drawings, sketches, conceptual drawings, working drawings, technical drawings (inclusive of blueprints), travel sketches and photographs. These include exterior and interior renderings of plans and designs for work produced in both Europe and in China. The architectural collection consists of works by Hudec and two other unknown authors. The work of Hudec is transcribed in English, German and Chinese characters. The work of the unknown authors is transcribed in Hungarian and German. There are also 2 boxes of textual records including notes, notebooks, photo albums, documents, letters, memos, scrapbooks, photos, legal records, rare journals, and newspapers clippings.
Fonds consists of manuscripts, correspondence, family documents, photographs, memorabilia about Georgia and Abkhazi family, and miscellaneous pamphlets. The manuscripts include a typescript of "Manuscript of (Mrs.) Peggy Pemberton-Carter written during internment in Lunghua Prison Camp, Shanghai", accompanying watercolours by Deirdre Fee and Lilian Schlee; typescript of "Dragon Aunt Remembers, 1900-1980", unpublished; photocopy of typescript "The Curious Cage", and an extensive photograph collection of the development of the Abkhazi garden.
Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."