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The fonds consists of correspondence, publications, personal documents, including notebooks, journals and miscellaneous files, artwork and photographs. Fonds also consists of collected publications for BC Electric, the Victoria Camera Club and the University of Victoria.
Ewan, Gladys Kathleen
The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.
The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.
Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.
The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.
Howarth, Glenn
Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions.
The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.
Siebner, Herbert, 1925-2003
The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.
The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.
Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.
The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.
Peterson, Margaret, 1902-1997
Collection consists of brochures, catalogues, postcards, and posters amassed by Amos. Also included is scanned compilation of Amos’s Times Colonist articles and research material including handwritten notes, newspaper articles, and more related to the collector’s work in putting together a biography of the local artist, Myfanwy Pavelic (unpublished), and a biography of photographer Henry Mortimer Lamb titled, “Harold Mortimer Lamb: The Art Lover” (2013).
The fonds consists of proposals for public and corporate art projects. Materials include budget proposals, specifications, preliminary sketches, related correspondence, photographs and presentation booklets. Fonds includes slides documenting artwork between 1978-2005 and publications featuring reviews/interviews relating to Youds.
Youds, Robert