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The collection consists of 123 pen-and-ink drawings and watercolours titled: Sketches of the War : France/Belgium in 2 volumes and is dedicated in a pasted in letter: "To my Daughter Adele." The sketches vary from satirical cartoons to more detailed and naturalistic renditions. They are often accompanied by an ironic title and are often signed with the artist's initials, "J.M." The artist's satirical targets include the officers and high command of both combatant sides; the disjuncture between reported and actual events, and the death of civilians as a fact of modern warfare.

The collection consists of one red ink drawing of Henry Miller "drawn from life, in London," 36 x 23 cm signed and dated 1969, and a charcoal sketch by Vernon Watkins 34 x 25 cm, signed with no date.

The collection consists of a photograph album, "Quaint Corner", of Maple Bay. Includes text, drawings and a business card.

The collection consists of a woodblock and a signed pencil drawing of a "Mother and Child" (used as a Christmas card for the Peace Pledge Union); a collotype reproduction of a signed pencil drawing of David Pepler; a typed, signed letter to ? Henderson re: the Catholic Church and the Trade Union Movement, with a pencil draft on verso (illegible?); and eight signed engravings to illustrate Patrick Miller's "The Green Ship" (Golden Cockerel Press).

The collection consists of sketches by E. J. Hughes (1913-2007).

The collection consists of letters and postcards (1940-1951) written by Levertov to Charles Wrey Gardiner (editor of Poetry Quarterly); letters, drafts of poems and a postcard (1946-1947) to John Hayward; and drawings not used for "A Tree Telling of Orpheus", 1967. The letters also mention Dannie Abse, Herbert Read and Kenneth Rexroth.

The collection consists of 11 mounted leaves of pen and ink drawings copied from various sources, with holograph notations. The costumes are from 1400-1720.