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Alan Austin fonds

  • CA UVICARCH AR006
  • Fonds
  • 1953 - 1997

Fonds consists of records related to Alan Austin’s activities as an educator and phycologist, including materials generated through major research projects and student projects, arranged into four series: 1. Seaweed Inventory Project; 2. Victoria Phenology Project; 3. Teaching and student material; and 4. Aquatic ecology projects. The Seaweed Inventory Project (SIP), in particular, is a valuable, detailed record and baseline survey of a substantial part of the coastline of BC, and the vegetation and biota (thus measurable on a global scale) supported at the time of the surveys done in 1972 and 1974. These data stand as a permanent record against which any coastal changes can be compared and measured. The sedentary, attached nature of coastal biota makes it particularly responsive to, and thus a sensitive indicator of changes in their environment. Forces of change include oil spills, toxic spills, runoff from land developments, marina construction, and natural catastrophic events. Series 1 has been arranged into four sub-series: SIP reports; SIP films and photographs; SIP correspondence and field notes; and SIP reference literature.

Austin, A. P. (Alan P.)

Bastion Theatre Company of B.C. fonds

  • CA UVICARCH AR010
  • Fonds
  • 1963 - 1989

The fonds consists of materials that are reflective of the functions and activities of the Bastion Theatre Company of British Columbia, previously operating as the Bastion Theatre Studio and the Victoria Theatre Studio, arranged into eight series: Board records, 1963-1989; Employment records, 1968-1988; Education records, 1965-1988; Marketing records, 1965,1969, 1974-1988; Administrative records, 1963-1988; Financial records, 1963-1989; Fundraising records, 1965-1989; and Production records, 1965-1989.

Bastion Theatre Company of British Columbia

Biddy Gaddes fonds

  • CA UVICARCH AR375
  • Fonds
  • 1964-1976

Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.

Gaddes, Biddy, 1919-2013

Glenn Howarth fonds

  • CA UVICARCH AR465
  • Fonds
  • 1966-2009

The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.

The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.

Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.

The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.

Howarth, Glenn

Lara Gilbert fonds

  • CA UVICARCH AR247
  • Fonds
  • 1977-1995

Fonds consists of records documenting Gilberts thoughts and experiences from childhood to early adulthood. The fonds have been arranged in four series: 1) academic and employment records; 2) correspondence; 3) journals; and 4) unbound prose and poetry.

Gilbert, Lara, 1972-1995

Margaret Peterson fonds

  • CA UVICARCH AR445
  • Fonds
  • 1920-1997

The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.

The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.

Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.

The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.

Peterson, Margaret, 1902-1997

Percy Gentleman fonds

  • CA UVICARCH AR269
  • Fonds
  • 1918-1961

Fonds consists of a scrapbook of samples of children's school work, including drawings, writing, maps, arithmetic and agricultural exercises (1912-1925); 5 paintings; and Christmas concert programmes from Grand Rapids School (1922-1924) and French Bay School (1925-1931). The French Bay programmes include class photographs for two years. The scrapbook contains some loose material and is in poor condition.

Gentleman, Percy Herbert, 1875-1971

W. Gordon Fields fonds

  • CA UVICARCH AR054
  • Fonds
  • 1929 - 1978

The fonds consists of historical notes, student notes, PhD research data on squid and sardines (including photographic data), lecture notes by subject, and course notes; and files from: Victoria College Biology Department (1958-67), Victoria College Building Committee (1957-58), Victoria College Faculty Association (1952-63), Victoria College Board (1957-63), and Victoria College Faculty and Staff Association, (1949-55).

Fields, W. Gordon