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Series consists of the administrative records of the Bastion Theatre Company of British Columbia, arranged into eight series: Organization, 1963-1988; Correspondence, 1963-1988; Canadian associations, 1972-1987; McPherson Playhouse, 1963-1988; Subscription and box office records, 1971-1988; Facility proposals, 1968-1987; Legal agreements, 1975-1989; and Producing agreements, 1966-1988. Included in this series are office records, histories, annals, reports, inventories, and organizational plans; notes and a sound recording of an interview of Peter Mannering for "A History of Bastion Theatre," an M.A. thesis submitted to UVIC's Department of Theatre, by Irene Teresa Barber, 1975; architectural drawings; and legal agreements and correspondence.

Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.

The fonds consists of textual records, photographs and ephemera from Charles Moore's service in the English Royal Marines Band and the Royal Canadian Naden Band in Esquimalt, B.C. The fonds is divided into four series: textual records, ephemera, photographs, and sheet music. Textual records include official documents and certificates, correspondence, a resume, military narratives, newspaper clippings, and drawings. Ephemera includes medals, badges, clothing and accessories, souvenirs, small music equipment, a cassette, and diary. Photographs include a green photograph album and photographs rehoused from a blue binder, depicting subjects such as military bands, Moore's fellow soldiers and bandmates, naval ships, scenes from countries visited by the Royal Marines Band after WWII, and Moore's family. Sheet music includes arrangements by Moore for instruments and conductor, as well as his original composition, Original March.

The fonds consists of four series:

Series 1: The Wyndham Lewis (1882-1957) series is a subject file compiled and arranged by C. J. Fox related to the Wyndham Lewis biography his writing and his art. It contains photocopies of several Lewis manuscripts and typescripts (some unpublished) and correspondence, articles, clippings, lectures, obituaries, reviews on Lewis and his books. There are photographs of Wyndham Lewis and his art, and correspondence to CJF with Froanna (Gladys Anne Wyndham Lewis) and other writers: Richard Aldington, Roy Campbell, about T.S. Eliot with Valerie Eliot; photocopies of Ezra Pound's war letters to Lewis), V.S. Pritchett, Kathleen Raine, Martin Seymour-Smith and George Woodcock. Correspondence with other critics and editors include: Walter Allen, Elliott Baker, D.G. Bridson, Robert Chapman, Geoffrey Grigson, Frank Kermode, Hugh Kenner, Bernard Lafoucade, Jeffrey Meyers, Paul O'Keefe, Hugh Gordon Porteous, W.K. Rose and E.W. F. Tomlin. There are also correspondence with WL art collector: Walter Michel and WL book collector Hugh Anson-Cartwright as well as file on artist and friend of WL, Michael Ayrton. There is also correspondence, book reviews, clippings and photocopies about specific publications, such as The Art of Being Ruled, The Apes of God and the C.J. Fox edited, Journey into Barbary. This is correspondence with people who Fox contacted or collaborated with. There are files on some of CJF's Lewis-related activities, such as exhibitions and publications and on particular subjects such as Wyndham Lewis in Canada (which includes letters from Lord Beaverbrook, Paul Martin Senior, Alex Colville, A.Y. Jackson to C.J. Fox), Notting Hill Gate (the "Rotting Hill" exhibition on three great men), World War I and Vorticism.

Series 2: the General series consists of more subject files containing correspondence, typescripts, manuscripts, photographs and research material pertaining to the other authors in the collection: Richard Aldington (including RA correspondence with A.S. Frere (photocopies) and files on Aldington's relations with Hilda Doolittle and T.E. Lawrence. There is also CJF correspondence about Aldington with Norman T Gates, Alison Palmer, E.G Roberts and David Wilkinson. This series also includes files on other writers collected by CJF: C.M Doughty, Ford Maddox Ford, Paul Fussell, Germans (Ernst Junger and Gottfried Benn), Xavier Herbert, Samuel Hynes, Robinson Jeffers, David Jones (including correspondence with Kathleen Raine and Bill Blisset), Hugh MacDiarmid, Graham McInnes, H.L Mencken and Ambrose Bierce, C.E Montague, Lewis Namier, Donald Pearce, William H. Pritchard, Alan Ross, Edmund Wilson and David Wright with more extensive correspondence files between CJF with C.H. Sisson and Julian Symons.

Series 3: The Miscellaneous series consists of clippings, correspondence and other enclosures removed from the Fox book collection and several audio cassettes including Lewis's "Crisis" talk on BBC Radio, a BBC reading by Timothy West from Blasting and Bombardiering and a radio dramatization of The Human Age.

Series 4: Wyndham Lewis related drawings and paintings collected by C.J Fox consists of art work of Wyndham Lewis and Michael Ayrton and Robert Colquhoun collected by Cy Fox. Some are reproductions of book jacket designs, WL paintings and posters produced for Wyndham Lewis exhibitions. There are also two artefacts. WL's table and ash tray which are shown in WL painting of Ezra Pound.

The fonds also consists of material pertaining to The Percy Wyndham Lewis Exhibition at Rugby School; a photograph of Cy Fox; an obituary for Maisie Wyndham Neil; research files pertaining to Wyndham Lewis, Ernst Junger, Corinne McLuhan, Vorticism, and Ezra Pound; a promotional video for The Lion and the Fox Exhibition; material pertaining to the National Portrait Gallery exhibition "Wyndham Lewis Portraits".

The fonds consists of birth and marriage certificates, household accounts and naturalization papers; diaries and notebooks kept by Else Seel, including prose fragments, poetry, notes, draft letters to and about Ezra Pound, and ideas for stories and poems; carbon typescripts of works by Jim Clark and H.E. von Wittgenstein; music and lyrics written by Seel and others; coloured drawings of Else Lübcke, Gloria Seel, landscape scenes and copy of Emily Carr's "D'Sonoqua"; correspondence with family, friends and fellow writers, including Ezra and Dorothy Pound; photographs and photo albums of Else Seel with family and friends in Germany and Canada; transcripts and carbons of Seel's prose work, including stories in German and variant drafts of "Kanadisches Tagebuch" (Canadian Diary), and book reviews written by Seel; transcript drafts of German and English poems by Seel and translations by Seel of other poems; transcripts and clippings of Seel's published poems and prose and reviews of her work; German books on history and literature, musical scores, audio tapes of works read by Seel and others, and tape of family gatherings; scrapbooks of visits to California and mementos of Victoria.

The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.

The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.

Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.

The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.

Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions.
The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.

The fonds consists of correspondence, published and unpublished literary works, notebooks, sketchbooks, desk diaries, financial accounts and agreements, and ephemera. Correspondents include family and friends, professional and business associates, and aspiring poets and fans. Many letters include enclosures such as pamphlets, manuscripts, drawings, reports, plans, contracts, scripts, clippings, and bills. The correspondence series include occasional replies from Betjeman. Major correspondents (more than 35 letters) include: J.R. Ackerly, John Arlott, Betjeman family, John Edward Bowle, Maurice Bowra, B.B.C., Bryan House School, Hugh Casson, Leonard Clark, William Clonmore, J.N. Comper, Patrick Cullinan, Curtis Brown, Daily Telegraph, Tom Driberg, T.S. Eliot, Frederick Etchells, Faber and Faber, Peter Fleetwood-Hesketh, The Georgian Group, Grand Opera Productions, Great Britain Department of Environment, Great Britain Ministry of Housing and Local Government, Greater London Council, Ken Griffiths, Samuel Gurney, David Higham Associates, Bevis Hillier, Historic Churches Preservation Trust, Helen Holmes, Edward James, Wilfrid Jarvis, Oliver Kenross, G.A. Kolkhurst, Osbert Lancaster, Brazley Mitchell, John Murray Publishers, National Association of Alms Houses, National Trust, Edmund and Margaret Penning-Rowsell, John and Myfanwy Piper, Percy Popkin, Alan Pryce-Jones, Ann Reed, Royal Fine Art Commission, Camilla Russell, Martyn Skinner, John Sparrow, The Spectator, Olivar Stonar, John Summerson, Geoffrey Taylor, Time and Tide, Victorian Society, Evelyn Waugh, Keith Wedmore, Weekend Telegraph, and Mary Wilson.

Fonds consists of correspondence, reports, clippings, photographs and hand-drawn maps that document Madsen's involvement in various environmental campaigns in the Okanagan region. Campaigns include: Bodega Head, 1962; Brent Mountain, 1961-92; Spotted Lake, 1978-89; Trout Creek, 1972-93; and Uranium, 1971-95. The fonds also includes several files on the Sierra Club, 1971-83; and the Okanagan Similkameen Parks Society, 1966-69; and 4 chalk drawings of landscapes.

Fonds consists of records documenting Gilberts thoughts and experiences from childhood to early adulthood. The fonds have been arranged in four series: 1) academic and employment records; 2) correspondence; 3) journals; and 4) unbound prose and poetry.