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Collection consists of the following : Rikki Swin Institute records, Ari Kane records, International Foundation for Gender Education (IFGE) records, and the Virginia Prince records. The IFGE records include material from Betty Ann Lind and Merissa Sherrill Lynn.

The collection consists of correspondence, newsletters, photographs, and an plaque. Also includes a caricature drawing of Emily Sheldon produced at Fantasia Fair 1987 and ephemera from Fantasia Fair 2018.

Fonds consists of research data, research literature and index, testing kit and wooden blocks, presentation package and audio-visual tapes, subject files, Open Court wall charts, numerous articles and a booklet written by Bell entitled "Phonemes: A Parents Guide to Beginning Reading".

Series consists of programmes and pamphlets for Belfry Theatre productions and special fund raising events.

Sous-fonds consists of records kept by Carole Itter documenting the life and death of her daughter, Lara Gilbert, Gilbert’s medical history, the publication of Gilbert's journals, legal trials submitted by Itter and Gilbert, and research on related topics chiefly from newspaper reporting and academic texts and journals. The sous-fonds has been arranged into five series: 1) cassette tapes, 2) I Might Be Nothing records, 3) legal proceedings, 4) medical records, and 5) clippings and research.

The fonds consists of videocassettes and articles related to cross dressing. Also includes material related to Sandra Samons' work as a social worker/therapist in the transgender community.

The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.

The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.

Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.

The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.

Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.

The fonds consists of correspondence received by Montague in his capacity as editor plus a few carbons of his replies. Correspondents include Peadar O'Donnell, Liam Miller, Thomas Kinsella, and some of the other contributing writers: Aidan Higgins, Pearce Hutchinson, Val Iremonger, John Jordan, James Liddy, John McGahern, Brian Moore, Richard Murphy, James Plunkett, Richard Weber, Leslie Daiken, and Thomas McIntyre. There are also some miscellaneous letters and items; including letters from Samuel Beckett and Robin Skelton. Included with the correspondence are a few holograph notes, cuttings, manuscripts, pamphlets, and ephemera relating to The Dolmen Miscellany.

The fonds consists of photographs, booklets, pamphlets, and invitations collected by Brigadier Adam. It also includes ephemera from World War Two, as well as Brigadier Adam's fonds of newspaper clippings, Christmas cards, and correspondence during his term as Officer Commanding of the 25 Militia Group.