Affichage de 15 résultats

Fonds consists of 8 series: General files; Fringe productions, 1990 (by title); Interview Transcripts; Reviews (by city); International festivals; Scripts; Programmes of fringe festivals (by city); Programmes of individual productions (unsorted); Publicity for individual productions (unsorted); and Videocassettes of productions. Cities include: Edmonton, Halifax, Montreal, Saskatoon, Toronto, Vancouver, Victoria and Winnipeg.

The fonds consists primarily of drafts and research materials used to write his book "Frontier Theatre: A History of Nineteenth Century Theatrical Entertainment in the Canadian Far West and Alaska", published in 1982. Fonds includes musical scores and librettos, programs, photographs, scrapbook and four unpublished plays: "Murder Pattern," 1936; "Ascend as the Sun"; "Earth Song", by Herman Voaden; and "The Dragon", by Bertram Brooker.

Fonds consists of research data collected for three book projects on music history in Canada, B.C., and Victoria, including photocopies or slides of 1850-1950 newspaper articles, reviews, retrospective articles, and biographical data. Also included are some original programs from the period.

Fonds consists of records documenting the administrative and operational activities of the society including general business files, correspondence, financial records, personnel files, publicity, outreach and reviews, scripts, graphic records, audio and video tapes, scrapbooks and posters, and logbooks and notebooks.

The fonds documents Aiyyana Maracle life and work as performance artist and writer, creator of and participant in arts festivals, her committee and conference work, scholarship, teaching, Six Nations land rights activism, transgender visibility and health projects, and personal activities. Records consist of textual records, graphic material, analog and digital sound and video recordings, and objects. Objects are comprised of garments, masks, accessories, animal bones and skins, and miscellaneous objects used in performance art and art installations. The fonds is arranged into ten series: performance art, visual art, writing, scholarship, conferences and committees, Six Nations activism, two-spirit and transgender material, notebooks and loose notes, personal records, and bibliographic records.

Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.

Fonds consists of music course outlines and examination papers (1950-1967), musical scores (1953-1956); programs, slides, and audio tapes of concerts at Victoria Normal School, Victoria College and the University of Victoria; and, historical outline of post-secondary music programs in Victoria, with photographs, text and original scores by Gaddes.

Fonds consists of minutes, correspondence, fund raising records, financial records, conductors files, guest artists files, legal agreements, arrangements for tours, scrapbooks of clippings, and programmes.

Collection primarily consists of memorabilia and newspaper clippings, collected by Willan's son, Patrick Willan. Files include correspondence and minutes of the Healey Willan Centennial Celebration Committee, 1978-1980; programmes, 1936-1980; clippings, 1936?-1965; programmes and clippings of Willan's opera, Deirdre; obituaries and memorials, 1968; Church of St. Mary Magdalene, 1979-1980; Willan Centenary, 1980; articles on Willan, 1980-1981; memorabilia, 1968-1979; and photographs of Willan with family and musicians.

Fonds includes the following series: theatre scrapbooks, 1941-1991; biographical material, 1939-1994; programs and printed material, ca. 1938-1986; photograph series, 1947- ca.1987; audio-visual media series, 1946-ca.1992; and theatre poster series, 1950-1978.