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Aiyyana Maracle fonds

  • CA UVICARCH SC536
  • Fonds
  • 1964-2016

The fonds documents Aiyyana Maracle life and work as performance artist and writer, creator of and participant in arts festivals, her committee and conference work, scholarship, teaching, Six Nations land rights activism, transgender visibility and health projects, and personal activities. Records consist of textual records, graphic material, analog and digital sound and video recordings, and objects. Objects are comprised of garments, masks, accessories, animal bones and skins, and miscellaneous objects used in performance art and art installations. The fonds is arranged into ten series: performance art, visual art, writing, scholarship, conferences and committees, Six Nations activism, two-spirit and transgender material, notebooks and loose notes, personal records, and bibliographic records.

Maracle, Aiyyana, 1950-2016

Caroline White fonds

  • CA UVICARCH SC621
  • Fonds
  • 1983-2006

Fonds consists of Caroline White's research towards her M.A. thesis, "Re/defining gender and sex: educating for trans, transsexual, and intersex access and inclusion to sexual assault centres and transition houses" (Vancouver: University of British Columbia, 2002). Her research touches on discrimination, activism, violence, women-only spaces, gender theories, critical race theory, disability studies, and legal cases. Material includes research papers, articles, committee documents, zines, pamphlets, clippings, and correspondence.

White, Caroline

Charles Moore fonds

  • CA UVICARCH SC615
  • Fonds
  • 1936-1995

The fonds consists of textual records, photographs and ephemera from Charles Moore's service in the English Royal Marines Band and the Royal Canadian Naden Band in Esquimalt, B.C. The fonds is divided into four series: textual records, ephemera, photographs, and sheet music. Textual records include official documents and certificates, correspondence, a resume, military narratives, newspaper clippings, and drawings. Ephemera includes medals, badges, clothing and accessories, souvenirs, small music equipment, a cassette, and diary. Photographs include a green photograph album and photographs rehoused from a blue binder, depicting subjects such as military bands, Moore's fellow soldiers and bandmates, naval ships, scenes from countries visited by the Royal Marines Band after WWII, and Moore's family. Sheet music includes arrangements by Moore for instruments and conductor, as well as his original composition, Original March.

Moore, Charles, 1921-1994

Dana Beyer fonds

  • CA UVICARCH SC616
  • Fonds
  • 1995-2019

Fonds consists of textual records and objects documenting Dr. Dana Beyer's LGBTQ activism, political campaigns, and medical research. Series consists of material from original accession, and is arranged into four subseries: activism records, political campaign records, DES research material, and ephemera.

Beyer, Dana, 1952-

Celu Amberstone fonds

  • CA UVICARCH SC622
  • Fonds
  • 1970-2019

Fonds documents Celu Amberstone's writing career. Records consist of poetry, playscripts, children's prose, notes for readings, publishing contracts, review clippings, correspondence, and acceptance and rejection letters from publishers and editors. The fonds also includes a proof copy of The Dreamer's Legacy by Celu Amberstone, and House of Commons Special Committee on the Disabled and Handicapped publication, "Native Population: Follow-up Report" (1981), which features a profile of Amberstone/Barbara Smith.

Amberstone, Celu, 1947-

Dickens Fellowship (Victoria Branch) fonds

  • CA UVICARCH SC477
  • Fonds
  • 1913-1998

The fonds of the Victoria Branch of the Dickens Fellowship is comprised of documents reflecting the activities of the Branch, such as correspondence, meeting minutes, membership information, programmes, scrapbooks, posters, menus, and financial records, dating from 1913 to 1998. The fonds also includes ephemera pertaining to British author Charles Dickens, including scrapbooks, greeting cards, and portraits, which the Dickens Fellowship compiled. The fonds is a window into the Fellowship’s founding, originally as the Victoria Dickens Club, events, and connection with other branches and the Dickens Fellowship. Many of the documents reflect the work of Dorothy Hewitt White who served the Fellowship in several capacities. The fonds provides insight into the ways in which Charles Dickens has been read, performed, and commemorated in Victoria, and more broadly, the social activities of a literary society in Victoria, predominantly in the first half of the twentieth-century.

Dickens Fellowship (Victoria, British Columbia)

James Hoffman fonds

  • CA UVICARCH AR483
  • Fonds
  • 1921-2013

Fonds consists of materials to Hoffman's professional and research activities and reflects his involvement in the BC theatre community. Topics include: aboriginal performance, Carroll Aikins, British Columbia Theatre Conference, British Columbia theatre history, Llewelyn Bullock-Webster, Hamasta ceremony, Inkameep School, New Play Centre, "Nootka Sound , or Britain Prepar’d,""Oxford Companion to Canadian Theatre," "Playing the Pacific Province," Sydney Risk/Everyman Theatre, Theatre Energy, Theatre North West, Theatre One, Vancouver theatre history, Victoria theatre history, and the Western Canada Theatre (Company).
The fonds includes video recordings from the BC Theatre Conferences and audio interviews with Burton Lancaster, Garry Davey, Catherine Caines, Donna Spencer, David Ross, Robert Simon, Len Marchand, Ken Fayrholdt, Ann Adamson, Peggy Bernier, Judith Ceroli, Dorothy Davis, Nick Hutchinson, Cathy Marrion, Mavor Moore, and Phoebe Smith.

Hoffman, James, 1943-