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Collection consists of posters arranged in series of posters produced by theatre groups: Phoenix Theatre, 1964-2003; Phoenix and Senior Secondary Summer Theatre Workshop, 1968-90; Company One Theatre, 1971-73; Fine Arts Festivals, 1971, 1983-86; Victoria Fair, 1969-71; Campus Players, 1966. All posters are arranged by date and title of production.

The collection is focused on understanding how attitudes and representations of transgender people have developed and changed over time. It looks at three broad aspects of transgender: biology and the body, gender expression, and erotic expression and representation through the lenses of expert knowledge, as recorded by scientists and social scientists; transgender-community-member knowledge, as recorded by and for transgender people themselves; and common-sense knowledge, as recorded by and for members of the general public.

This extensive collection includes transgender books, magazines, newspaper clippings, scholarly papers, audio tapes, video tapes, films, photographs, artifacts, ephemera, biographical and autobiographical writings, and miscellaneous papers.

The collection consists of materials related to transgender people, narratives, and/or studies.

The collection consists of letters (1960-1961) written by Hughes to Graham T. Ackroyd. There are also groupings of drafts of Hughes's "Dully Gumption's Addendum", "Fishing at Dawn", "New Moon" and "Out III: Remembrance Day". Additionally, there are drafts and fragments of other works (often on the versos of the previous drafts); several are by Sylvia Plath.

The collection consists of correspondence from T. S. Eliot, photographs, a Lecture typescript with corrections, and an annotated book. The correspondence from Eliot is to: Mme. D. Bussy (including 1 unfinished reply and 2 from TSE's secretary) [1934-56]; Miss J.S. Bussy (daughter of above) [1939-56]; T. Tambimuttu [1959]; R. Thoma [1932]; M. Wykes-Joyce re Ezra Pound [1952] ; H.M. Belgion [1940-63]; Mrs. Harold Monro (Alida) [1934-60] including 2 photos; John Lehmann [1936-52]; Anthony Cronin [1958]; Francis Berry [1953] re Herbert Read. The typscript with corrections is TSE's lecture "From Poe to Valery". Also included is Herbert Read's The Education of Free Men (Freedom Press, 1944) with approx. 200 words of Eliot's holograph annotations throughout the text.

The collection consists of transgender correspondence and periodicals.

The collection consists of two medieval manuscript fragments, two incunabula, and a Herodian coin.

The collection consists of Graves' autograph diary (1935-1939), with enclosures including letters from his children, photographs, clippings, and transcripts of poems, articles and letters; correspondence written by Graves to various people, including Isla Cameron, Selwyn Jepson, Aemilia Laracuen, Andrew Mylett, and Raphael Patai; poetry worksheets (1965-1970) and prose and poetry worksheets (1970); manuscripts including essays, reviews, forewords, prefaces, articles, lectures, and for the works "King Jesus", "The Anger of Achilles", "Hebrew Myths: The Book of Genesis", "Greek Gods and Heroes", "An Ancient Castle", "La Luna de los Perros", and "Juvenalia and Other Poems"; photographs; and drawings of Majorca by Paul Hogarth. The collection is arranged in lots as its various parts were acquired not as a single purchase but from different book dealers at different times. The collection also consists of a copy of a letter from Robert Graves to UBC chemist Lionel Harrison with sample pages from the poetry book it refers to. The collection also consists of a portrait of RG by John Ulbricht done in 1968.

Collection consists of the following : Rikki Swin Institute records, Ari Kane records, International Foundation for Gender Education (IFGE) records, and the Virginia Prince records. The IFGE records include material from Betty Ann Lind and Merissa Sherrill Lynn.

The collection consists of 735 items, the majority of which are drawings and watercolours produced by Bayne on a European sketching tour in 1864-65 made possible by the Soane Medal award in 1864. Bayne spent four months in France (August-December 1864), sketching Romanesque and Gothic churches at Amiens, Soissons, Noyon, Angers, Toulouse, and along the Loire. Bayne travelled to Spain where he spent three months (Jan. - March 1865) documenting sites in the Pyrenees he believed would soon be lost to warfare and neglect, recording stained glass windows and other architectural details of Gothic and Romanesque structures, and visiting sites with important Moorish architecture. Bayne's Spanish work is the most comprehensive of the collection. He also made careful notations on his drawings and sketches with a complete numbering system, identification of the city, structure and facade, and the date of the work. From Spain, Bayne travelled to Naples where he spent about a week in Sicily. He went on to Greece and Turkey for a month (April - early May 1864), apparently going from Athens to Salonica and south to Constantinople. Many of the drawings are missing from this series, but show his interest in Byzantine churches and Islamic architecture in Greece and Turkey. He returned to Naples for a four month tour of Italy (May - August 1864). The collection includes a few drawings from Pompeii, panoramic views of Rome, architectural drawings of Renaissance and Medieval structures from Rome, Venice, Milan, Florence, Pisa, and Assisi, and sketches of architectural details such as stained glass in Assisi and the Baptistery doors in Florence. In September, 1864, Bayne was in Germany, but only a few of these drawings remain. The information about them is limited as they are dated or numbered, but the sites are not recorded on most. After Bayne accepted a position with the East India Railway Company in 1866, he moved to Calcutta, India. Part of the collection includes sketches he made on tours in India, and illustrates Muslim and Hindu structures in Benares, Delhi, Allahabad, Madras, Ahmadabad, Bombay, Brindabun, Chitor, Moorabad, and Calcutta. At least four structures in India are attributed to Bayne: the East India Railway offices (1881-84), the Huseinabad Clock Tower at Lucknow (1881-85), the Mayo Memorial Hall at Allahabad (1879), and the Thornhill and Mayne Memorial Library at Allahabad (1878). The presentation drawing for the latter structure is included in the collection as a donation from the Port Alberni Historical Society. The other items in the collection include a photograph of Bayne, several covers of his original European notebooks, and two certificates, one of which commemorates his achievement in passing the Voluntary Architectural Examination in 1864 with distinction, and the second certifying his election as an Associate of the Royal Institute of British Architects.