Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.
Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.
Collection consists of theatre programs and UVic theatre production files arranged in the following series: Phoenix Theatre files, 1964-2001; Canadian and International Theatre programs, 1931-2002; Festival programs, 1925-2003; Season programs, 1952-2003; Publications, 1948-1991; Production revue notes, production lists and Curricula Vitae, 1962-2000; Pheonix Theatre production sweatshirts, 1988-1993.
Collection consists of posters arranged in series of posters produced by theatre groups: Phoenix Theatre, 1964-2003; Phoenix and Senior Secondary Summer Theatre Workshop, 1968-90; Company One Theatre, 1971-73; Fine Arts Festivals, 1971, 1983-86; Victoria Fair, 1969-71; Campus Players, 1966. All posters are arranged by date and title of production.
Fonds consists of working files, photographs, slides and tapes documenting the activities of the Wild Horse Summer Theatre Company, at Fort Steele Historic Park, Fort Steele, B.C. Fonds includes proposal for a theatre project at Fort Steele and related correspondence, membership contracts with the cast, audition forms, press releases, financial records, floor plans, lighting and sound instructions, newsclipping with reviews of play, Parks Board historical notes, final reports by Murray Edwards and Tony Bukowiecki, and designs of the Wild Horse Summer Theatre logo; publicity photographs; slides of historic scenes in southeastern B.C., used in "The Life and Death of Sneaky Fitch", and slides of cast members at Fort Steele Park; and taped performances of "The Life and Death of Sneaky Fitch".