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The fonds consists of an unidentified manuscript [unpublished novel?, 1955?]; typescript and corrected page proofs of "Alien Corn", 1944; typescripts, carbon typescripts, and galley proofs of "Art & Outrage", 1959, and "My Friend Henry Miller", 1955; plus some
correspondence with writers and publishers. Correspondents include Henry Miller, Anaïs Nin, Lawrence Durrell, Anne Rives and Neville Spearman Ltd. The fonds also consists of 5 watercolours by Alfred Perlès; correspondence to Jacqueline Randal from Anne Barret and her daughter, Isobel; newspaper articles; Alfred Perlès' typewriter; and a watercolour print by Henry Miller.

The collection consists of correspondence from Durrell to Alfred Perlès, William Woods, John Lehmann, Peter Russell, Tambimuttu (LD's notes on Dylan Thomas in the form of a letter), and others; also included are a corrected proof of "Balthazar"(sent to Perlès); a sketch (1959) by Eve Miller of Henry Miller, Alfred Perlès and Durrell; and, a watercolour by "Oscar Epfs" (pseud. of L. Durrell) done for a record sleeve "Songs of Greece" plus a Xmas card reproduced from the painting in 1964. Alfred Perlès later changed his name to Alfred Barret, and was often addressed by Durrell and Miller as Joe or Joey in their letters to him.

The fonds consists primarily of correspondence with many individuals, including Richard Aldington, Wilfred R. Childe, Alex Comfort, Edward Dahlberg, Bonamy and Valentine Dobree, T. S. Eliot, Naum Gabo, Rayner Heppenstall, Barbara Hepworth, David Jones, Jacob Kramer, Percy Wyndham Lewis, Henry Miller, Henry Moore, Frank Morley, Edwin Muir, Ben Nicholson, Alfred R. Orage, George Orwell, Robert Payne, Kathleen Raine, Stephen Spender, Adrian Stokes, Allen Tate, Arthur W. Wheen, George Woodcock and Wilhelm Worringer. Also included are notebooks, worksheets, proofs and mimeographed BBC programs; mostly from the 1950s and 1960s.