- CA UVICARCH SC577
- Collection
- 1402
The collection consists of a letter dated 1402, sent from the City of Venice to Damascus, Syria. Includes a translation of the letter.
Contarini, Giovanni
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The collection consists of a letter dated 1402, sent from the City of Venice to Damascus, Syria. Includes a translation of the letter.
Contarini, Giovanni
Part of Early Documents collection
The file consists of a letter dated 1402, sent from the City of Venice to Damascus, Syria. Also contains a separate translation. The translation lists the author as Giovanni Contarini (son of Nicolo) and the recipient as his cousin Donato Soranzo.
Contarini, Giovanni
Giovanni Contarini to Donato Soranzo, verso
Part of Early Documents collection
Part of Medieval Studies collection
Spanish Notarial Document collection
The collection consists of a notarial document recording a procurement agreement between Petrus de Mathamala and Arnaldus Barnesii, Spain (Barcelona), 19 January 1424.
Spanish Notarial Document, Verso
The items consists of a notarial document recording a procurement agreement between Petrus de Mathamala and Arnaldus Barnesii, Spain (Barcelona), 19 January 1424.
Spanish Notarial Document, Recto
The items consists of a notarial document recording a procurement agreement between Petrus de Mathamala and Arnaldus Barnesii, Spain (Barcelona), 19 January 1424.
The accrual consists of a notarial document recording a procurement agreement between Petrus de Mathamala and Arnaldus Barnesii, Spain (Barcelona), 19 January 1424.
Part of Medieval Studies collection
MS of John Lydgate's "Fall of Princes" (ca. 1431-38).
Part of Sandra Mattia collection
Incunabulum, 31.5 X 43.5 cm, 1477, leaf from Pantheologia of Reynerus de Pisis. Includes the following description: 'A page from the Pantheologia of Reynerus de Pisis printed at Nuremburg by Anton Koberger in 1477. With the invention of moveable type in the middle of the fifteenth century, books were printed on paper and in unlimited quantity. These books printed before 1501, known as "incunabula", imitated the forms of contemporary manuscripts. Since readers were accustomed to the decoration of manuscripts, coloured initials were added to the printed page by hand.'