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The fonds consists firstly, of correspondence, incoming and outgoing (1945-2003): business, personal, and professional, including among the correspondents: Earle Birney, Susan Musgrave, Howard O'Hagan, P. K. Page, Jane Rule, Robin Skelton, Phyllis Webb, George Woodcock, and many others; secondly, of manuscripts of her own work - principally, her many works of poetry, drama, reviews, and prose, including her books: Journey Back To Peshawar ; Memory of Elsewhere-and the play A Family of Sorts. There are also manuscript of some of her colleagues - including J. Michael Yates, Michael Walbank, Theresa Kishkan, and Robin Skelton; thirdly, of materials from several literary organizations that she was involved with, including the Victoria Literary Arts Festival and the League of Canadian Poets - Women's Caucus ; fourthly, of ephemera, including photographs. The fonds consists of correspondence between Rona Murray and Phyllis Serota and a first draft typescript of "Adam and Eve in Middle Age".

The fonds consists primarily of correspondence with many individuals, including Richard Aldington, Wilfred R. Childe, Alex Comfort, Edward Dahlberg, Bonamy and Valentine Dobree, T. S. Eliot, Naum Gabo, Rayner Heppenstall, Barbara Hepworth, David Jones, Jacob Kramer, Percy Wyndham Lewis, Henry Miller, Henry Moore, Frank Morley, Edwin Muir, Ben Nicholson, Alfred R. Orage, George Orwell, Robert Payne, Kathleen Raine, Stephen Spender, Adrian Stokes, Allen Tate, Arthur W. Wheen, George Woodcock and Wilhelm Worringer. Also included are notebooks, worksheets, proofs and mimeographed BBC programs; mostly from the 1950s and 1960s.

The fonds consists primarily of typescript from "The Nightfishing" used for a radio broadcast; poetry worksheets for "Implements In Their Places", "Malcolm Mooney's Land", and "The Nightfishing"; correspondence with Crieff Williamson and Robin Skelton; and four notebooks, together with Robin Skelton's research notes. Also included is a typescript of "Aimed At Nobody", which was published posthumously, together with related publishing documents and correspondence. The final items are two folders of Graham's artwork and a silk screen portrait of Graham by William Featherston.