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Faculty of Arts and Science Curriculum Committee fonds

  • CA UVICARCH AR144
  • Fonds
  • 1963-1985

The fonds consists of general committee files that contain an incomplete set of minutes, and final recommendations; and course files with departmental submissions. The chairs' files contain correspondence regarding contentious issues, and some departmental submission and minutes. For a complete understanding of the committee's work, both files need to be reviewed.

University of Victoria (B.C.). Faculty of Arts and Science Curriculum Committee

Music Theatre Workshop fonds

  • CA UVICARCH AR327
  • Fonds
  • 1978-1987

The fonds consists of programs, brochures, clippings and photographs, arranged by production. Productions include: a Bistro Car (1980); Canterbury Tales (1979); Godspell (1978); Man of La Mancha (1986); Pirates of Penzance (1984); Rodgers and Hart (1987); Two Score and More, nd; and several unidentified productions.

University of Victoria (B.C.). Music Theatre Workshop

Percy Scott fonds

  • CA UVICARCH AR360
  • Fonds
  • 1929-1951

Fonds consists of correspondence and household finances, 1931-1951; Scott's 11 published scores, 1929-1931; Scott's 17 manuscript scores, 1931-1937; records of the Victoria Plectral Orchestra, 1935-1946; music students register, 1930-1949; diaries, 1931, 1934-1951. The diaries include short daily entries about weather, students, appointments and household activities. On occasion, the back page of annual diaries contain a list of items such as orchestra compositions and rents paid. The donation also included a tin sign for Scott's music studio: "Percy Scott Studio: mandolin, guitar etc."

Scott, Percy W. A.

Judith Foster fonds

  • CA UVICARCH AR249
  • Fonds
  • 1941, 1948-2006

Fonds reflects Foster’s artistic processes and practices, research interests, pedagogy, and her relationships with galleries, patrons, students and friends. Fonds consists of sketches, tracings, small paintings and prints, paint samples, printing plates, notes, correspondence, photographs, slides, negatives, exhibition catalogues, newspaper clippings, art publications, receipts and sales documents, inventories, Foster’s diplomas, and various ephemera.

Correspondents include Ed Hill, Barbara Demaray, Fritz Eichenberg, Anna Vakar and several businesses and galleries.

The fonds has been arranged into three series: Art practice, Publications and clippings, and Teaching.

Foster, Judith A., 1930-2000

Allan Antliff fonds

  • CA UVICARCH AR458
  • Fonds
  • 1976-2014

The fonds reflects Allan Antliff’s interest and participation in the anarchist movement and numerous activist and anarchist events throughout North America and Europe. Fonds includes newspaper clippings, monographs, journals, articles, pamphlets, leaflets, newsletters, correspondence, photographs, notes and notebooks, audio-visual materials, posters, t-shirts, and ephemera.

Antliff, Allan

James Hoffman fonds

  • CA UVICARCH AR483
  • Fonds
  • 1921-2013

Fonds consists of materials to Hoffman's professional and research activities and reflects his involvement in the BC theatre community. Topics include: aboriginal performance, Carroll Aikins, British Columbia Theatre Conference, British Columbia theatre history, Llewelyn Bullock-Webster, Hamasta ceremony, Inkameep School, New Play Centre, "Nootka Sound , or Britain Prepar’d,""Oxford Companion to Canadian Theatre," "Playing the Pacific Province," Sydney Risk/Everyman Theatre, Theatre Energy, Theatre North West, Theatre One, Vancouver theatre history, Victoria theatre history, and the Western Canada Theatre (Company).
The fonds includes video recordings from the BC Theatre Conferences and audio interviews with Burton Lancaster, Garry Davey, Catherine Caines, Donna Spencer, David Ross, Robert Simon, Len Marchand, Ken Fayrholdt, Ann Adamson, Peggy Bernier, Judith Ceroli, Dorothy Davis, Nick Hutchinson, Cathy Marrion, Mavor Moore, and Phoebe Smith.

Hoffman, James F.

Margaret Peterson fonds

  • CA UVICARCH AR445
  • Fonds
  • 1920-1997

The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.

The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.

Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.

The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.

Peterson, Margaret, 1902-1997

Aiyyana Maracle fonds

  • CA UVICARCH SC536
  • Fonds
  • 1964-2016

The fonds documents Aiyyana Maracle life and work as performance artist and writer, creator of and participant in arts festivals, her committee and conference work, scholarship, teaching, Six Nations land rights activism, transgender visibility and health projects, and personal activities. Records consist of textual records, graphic material, analog and digital sound and video recordings, and objects. Objects are comprised of garments, masks, accessories, animal bones and skins, and miscellaneous objects used in performance art and art installations. The fonds is arranged into ten series: performance art, visual art, writing, scholarship, conferences and committees, Six Nations activism, two-spirit and transgender material, notebooks and loose notes, personal records, and bibliographic records.

Maracle, Aiyyana, 1950-2016

Sandra Meigs fonds

  • CA UVICARCH AR138
  • Fonds
  • 1970-2007

Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."

Meigs, Sandra, 1953-

Bernard Naylor fonds

  • CA UVICARCH AR098
  • Fonds
  • 1888-1984, predominant 1924-1984

Fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.

Naylor, Bernard James, 1907-1986

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