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Fonds consists of research data collected for three book projects on music history in Canada, B.C., and Victoria, including photocopies or slides of 1850-1950 newspaper articles, reviews, retrospective articles, and biographical data. Also included are some original programs from the period.

Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.

Fonds consists primarily of correspondence between E. J. Hughes and Max Stern. The first accession consists of original letters from Hughes to Stern, as well as a folder of location photographs taken by Hughes and photocopies of his descriptions of his paintings. The second accession consists of photocopies of letters from Stern and his assistants to Hughes, or to others regarding Hughes’s work. The final accession consists of a single folder of photocopies of correspondence between Hughes and Dominion representatives.

Collection consists of material compiled by Elsie Allan concerning theatre in Victoria and other locations in B.C. and in England. The collection includes notebooks of annotated scripts, scripts of plays, announcements and notices of meetings of the Victoria Theatre Guild, programmes of amateur and professional performances in Victoria, New York, and England, and programmes of the British Columbia, Dominion, Kelowna, and Vancouver Island Drama Festivals.

Also includes Allan's photographs of Victoria and Field, B.C., Camp Petawawa, Salisbury, England, France and unidentified B.C. locations during World War I. Many of the photographs depict the military.

Fonds consists of correspondence, and manuscripts submitted for publication.

Fonds consists of 8 series: General files; Fringe productions, 1990 (by title); Interview Transcripts; Reviews (by city); International festivals; Scripts; Programmes of fringe festivals (by city); Programmes of individual productions (unsorted); Publicity for individual productions (unsorted); and Videocassettes of productions. Cities include: Edmonton, Halifax, Montreal, Saskatoon, Toronto, Vancouver, Victoria and Winnipeg.

Fonds consists of the following series: Logbooks, 1979-94; Minutes and agenda, 1979-98; Correspondence, 1975-97; Subject files, 1981-97; Synoptic journals, 1988-97; Month-end reports, 1995-97; Record of deposits, 1988-1996; Year-end reports, 1991-96; Day-end sheets, 1992-1996; 3 audiocassettes, including an interview with C.B.C. re: Canada Customs seizing two comic books; a display entitled, "In the beginning, 1975...", and the Everywoman's Book stained glass window sign.

Fonds consists of drafts of essays, novels, short fiction, and transcripts of poetry; photographs of the prairie and British Columbian scenes; correspondence; family certificates and financial records; publishing contracts and agreements; draft chapters of The North American Buffalo and The Canadian Buffalo Today; two copies of The North American Buffalo with annotations and microfilm copy; Roe’s articles of buffalo, agriculture, Shakespeare and Marlowe; variant drafts of Getting the Know-How; reference files including journals, brochures, and pamphlets; CPR time books and railroad operating booklets; maps, some drawn by Roe, of western Canada and the northern USA showing actual and proposed railway lines, the buffalo range, Indian trails and the extermination of the American bison; one audio tape of a 1971 interview with Roe by Naomi Radford.

Fonds consists of research files relating to Nowosad's study of Richard Ciccimarra, including: correspondence; research notes and lectures; essays; biography manuscript files; publications; Ciccimarra writings; photographs of Ciccimarra's works; taped lectures by Robin Skelton and programmes on Ciccimarra; and audiocassettes of oral history interviews about Ciccimarra with Penny Auersperg (first wife), Stephie Wilson, Vicky Husband, Nicole Frechette, Robert DeCastro, Elza Mayhew, Colin Graham, Myfanwy Pavelic, Herbert Siebner, Karl Spreitz and others.

The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.

The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.

Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.

The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.