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Amati instruments collection

  • CA UVICARCH AR358
  • Collection
  • 1958 - 1992

The collection consists of selected correspondence, news items, signed programmes, descriptions of each instrument, and a photograph of Murray Adaskin, Stephen Kolbinson and the instruments.

Ezra Pound collection

  • CA UVICARCH SC096
  • Collection
  • 1908 - 1961

The collection consists firstly, of poetry manuscripts and proofs including "Personae", "Lustra", and "Canzoni and Ripostes"; secondly, a prose manuscript of "That Audience, or the Bugaboo of the Public"; and thirdly, of correspondence to Elkin Mathews (publisher), St. John Adcock, Harry and Caresse Crosby (Black Sun Press), Louis Zukofsky, The British Union of Fascists, T. S. Eliot, Montgomery Belgion, Michael Harald, Clifford Gessler, and others.

Pound, Ezra, 1885-1972

Vincent Rickard collection

  • CA UVICARCH SC627
  • Collection
  • 1973-2010

The collection consists of printer's proofs documenting print-maker Rickard's work to produce prints by Indigenous artists from British Columbia.

Rickard, Vincent

W. B. Yeats collection

  • CA UVICARCH SC327
  • Collection
  • 1921 - 1965

The collection consists of a handwritten letter by Yeats to A. J. Leventhal, together with its envelope and a handwritten letter to an unidentified businessman, possibly a book seller; a hand coloured card from the Cuala Press (no.148) of "The Lake Isle of Innisfree"; typescript of "The World of W.B. Yeats: Essays in Perspective" edited by Skelton and Saddlemyer (incomplete set), together with a pre-publication copy of the book.

Yeats, W. B. (William Butler), 1865-1939

Wyndham Lewis collection

  • CA UVICARCH SC252
  • Collection
  • 1946-1956

The collection consists of: 2 leaves of typescript with holograph corrections of explanatory notes on the plates for "The Demon of Progress in the Arts" (1954); 10 leaves of typescript with holograph revisions of "Chapter I: The 'Do-Nothing Mode'" (about Lewis' father); 21 leaves of carbon typescript with holograph corrections of chapters 4-6 of "Painting as a Sport" ; 7 leaves of carbon typescript with holograph corrections with a note to "Mrs. Gilliat"; 3 leaves of a holograph review of Swabey's "The English Church and Usury"; 19 leaves of a typescript review with holograph corrections of Harry Slochower's "No Voice is Wholley Lost".

Lewis, Wyndham, 1882-1957

David Gascoyne collection

  • CA UVICARCH SC044
  • Collection
  • 1961 - 1972

The collection consists of a typescript (printers' copy) plus a pencil mock-up of page designs for "Collected Verse Translations"; a manuscript rough draft of the poem "The book of the South West's desire for a North Eastern resting place" , with one page signed by Gascoyne; uncorrected galley and corrected page proofs for "The Sun at Midnight"; and seven semi-abstract watercolours, all signed by Gascoyne.

Gascoyne, David, 1916-2001

Kathleen Raine collection

  • CA UVICARCH SC098
  • Collection
  • 1913-1998

The collection consists mainly of material generated in the process of publishing the book Yeats the Initiate (1986), consisting of typescripts, drafts, paste-ups, illustrations, and proofs; plus correspondence, mainly to Liam Miller at the Dolmen Press.

Raine, Kathleen, 1908-2003

Caravan Across British Columbia collection

  • CA UVICARCH AR016
  • Collection
  • 1930

The collection consists of a scrapbook relating to the Caravan Across British Columbia, an automobile caravan from Vancouver to Hazelton, B.C., in June, 1930. Scrapbook includes lists of expenses, newspaper articles and advertisements of the event, and several letters.

Richard Roskell Bayne collection

  • CA UVICARCH SC131
  • Collection
  • 1864 - 1884, 1994-2007

The collection consists of 735 items, the majority of which are drawings and watercolours produced by Bayne on a European sketching tour in 1864-65 made possible by the Soane Medal award in 1864. Bayne spent four months in France (August-December 1864), sketching Romanesque and Gothic churches at Amiens, Soissons, Noyon, Angers, Toulouse, and along the Loire. Bayne travelled to Spain where he spent three months (Jan. - March 1865) documenting sites in the Pyrenees he believed would soon be lost to warfare and neglect, recording stained glass windows and other architectural details of Gothic and Romanesque structures, and visiting sites with important Moorish architecture. Bayne's Spanish work is the most comprehensive of the collection. He also made careful notations on his drawings and sketches with a complete numbering system, identification of the city, structure and facade, and the date of the work. From Spain, Bayne travelled to Naples where he spent about a week in Sicily. He went on to Greece and Turkey for a month (April - early May 1864), apparently going from Athens to Salonica and south to Constantinople. Many of the drawings are missing from this series, but show his interest in Byzantine churches and Islamic architecture in Greece and Turkey. He returned to Naples for a four month tour of Italy (May - August 1864). The collection includes a few drawings from Pompeii, panoramic views of Rome, architectural drawings of Renaissance and Medieval structures from Rome, Venice, Milan, Florence, Pisa, and Assisi, and sketches of architectural details such as stained glass in Assisi and the Baptistery doors in Florence. In September, 1864, Bayne was in Germany, but only a few of these drawings remain. The information about them is limited as they are dated or numbered, but the sites are not recorded on most. After Bayne accepted a position with the East India Railway Company in 1866, he moved to Calcutta, India. Part of the collection includes sketches he made on tours in India, and illustrates Muslim and Hindu structures in Benares, Delhi, Allahabad, Madras, Ahmadabad, Bombay, Brindabun, Chitor, Moorabad, and Calcutta. At least four structures in India are attributed to Bayne: the East India Railway offices (1881-84), the Huseinabad Clock Tower at Lucknow (1881-85), the Mayo Memorial Hall at Allahabad (1879), and the Thornhill and Mayne Memorial Library at Allahabad (1878). The presentation drawing for the latter structure is included in the collection as a donation from the Port Alberni Historical Society. The other items in the collection include a photograph of Bayne, several covers of his original European notebooks, and two certificates, one of which commemorates his achievement in passing the Voluntary Architectural Examination in 1864 with distinction, and the second certifying his election as an Associate of the Royal Institute of British Architects.

Bayne, Richard Roskell, 1827-1901

Hal Lawrence collection

  • CA UVICARCH SC066
  • Collection
  • 1939 - 1995

The collection consists of audio tapes of 120 interviews that Lawrence conducted between 1980 and 1990 with naval personnel, several female officers and ratings. The collection includes several interview transcripts, correspondence relating to one interview, a captain's night order book (HMCS Portage), and the text of an address. The additional collections consist of manuscripts for books and articles written by Hal Lawrence, correspondence, clippings and photographs related to his navel career. The collection also include personal and professional documents and correspondence, naval oral history material, several naval maps and transparencies, miscellaneous publications and ephemera. The collection is arranged in eight series: 1) Manuscripts; 2) Oral histories; 3) Correspondence; 4) Photographic materials; 5) Newspaper clippings and reviews; 6) Personal and professional documents; 7) Published materials and ephemera; 8) Maps and transparencies.

Lawrence, Hal, 1920-1994

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