The collection consists of 11 mounted leaves of pen and ink drawings copied from various sources, with holograph notations. The costumes are from 1400-1720.
The fonds consists of correspondence between Reference and U of T Press, 1971-81; correspondence between Reference and UVic Systems Development, 1976-81; and newspaper clippings and reviews.
University of Victoria (B.C.). Creative Canada Project
Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.
The collection consists of manuscripts, typescripts, page proofs, galley proofs, correspondence and original illustrations of early books published by the Dolmen Press, comprising some of the work of about 25 writers. Included among these authors are Austin Clarke, Padraic Colum, Thomas Kinsella, and Richard Murphy. Also included are translations of earlier works in Irish and an edition of one of W. B. Yeats' works.
Fonds consists primarily of photographic prints, negatives and contact sheets of historic buildings and properties - preparatory material for Franklin’s co-authored publications on Victoria’s architecture. The fonds is arranged in four series: photographs - Victoria: A History in Architecture, 1843-1929; photographs - Exploring Victoria’s Architecture; architectural drawing - East School elevation (Lord Strathcona School), Vancouver, BC, 1897; and publications and printed matter.
Fonds consists primarily of correspondence between E. J. Hughes and Max Stern. The first accession consists of original letters from Hughes to Stern, as well as a folder of location photographs taken by Hughes and photocopies of his descriptions of his paintings. The second accession consists of photocopies of letters from Stern and his assistants to Hughes, or to others regarding Hughes’s work. The final accession consists of a single folder of photocopies of correspondence between Hughes and Dominion representatives.
The fonds consists of a handwritten letter to an unknown correspondent about his visit to Moscow as guest of its theatres, and the book he is trying to write about it.
Collection consists of material compiled by Elsie Allan concerning theatre in Victoria and other locations in B.C. and in England. The collection includes notebooks of annotated scripts, scripts of plays, announcements and notices of meetings of the Victoria Theatre Guild, programmes of amateur and professional performances in Victoria, New York, and England, and programmes of the British Columbia, Dominion, Kelowna, and Vancouver Island Drama Festivals.
Also includes Allan's photographs of Victoria and Field, B.C., Camp Petawawa, Salisbury, England, France and unidentified B.C. locations during World War I. Many of the photographs depict the military.
The fonds consists of a handwritten letter to an unnamed cousin. In the letter, she mentions her book "Letters and Papers of Andrew Robertson" ed. Emily Robertson.
The collection consists of a woodblock and a signed pencil drawing of a "Mother and Child" (used as a Christmas card for the Peace Pledge Union); a collotype reproduction of a signed pencil drawing of David Pepler; a typed, signed letter to ? Henderson re: the Catholic Church and the Trade Union Movement, with a pencil draft on verso (illegible?); and eight signed engravings to illustrate Patrick Miller's "The Green Ship" (Golden Cockerel Press).
