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The collection consists of photographs (reproduced from the originals in Berlin?). They were originally kept in a paper envelope from W. Buxenstein, Berlin (post World War II?).

The fonds consists of six interviews of uneven quality offering interesting details of battle experiences particularly of the difficult in the trenches. The fonds also consists of 30 colour photographs of World War One veterans interviewed by Elizabeth Hazlitte between 1983-1984. The interviews are included in the Military Oral History collection. Photo credits listed as Jill Schwartz.

The fonds of the Victoria Branch of the Dickens Fellowship is comprised of documents reflecting the activities of the Branch, such as correspondence, meeting minutes, membership information, programmes, scrapbooks, posters, menus, and financial records, dating from 1913 to 1998. The fonds also includes ephemera pertaining to British author Charles Dickens, including scrapbooks, greeting cards, and portraits, which the Dickens Fellowship compiled. The fonds is a window into the Fellowship’s founding, originally as the Victoria Dickens Club, events, and connection with other branches and the Dickens Fellowship. Many of the documents reflect the work of Dorothy Hewitt White who served the Fellowship in several capacities. The fonds provides insight into the ways in which Charles Dickens has been read, performed, and commemorated in Victoria, and more broadly, the social activities of a literary society in Victoria, predominantly in the first half of the twentieth-century.

Fonds consist primarily of the correspondence and manuscripts of Dr. Michael Waldichuk specific to environmental issues on the Canadian Pacific coast. The fonds consist of four series: Personal, Cine-film, Pacific Coast Entire, and Pacific Coast Regions. The Personal series contains correspondence, records containing information about Dr. Waldichuk’s academic and professional career, and a bibliography of publications written by Dr. Waldichuk. The Cine-film series consists of 275 metres of film documenting survey procedures, particularly at Crofton Pulp Mill. The Pacific Coast Entire series consists of documents relating to the Pacific Coast as a whole. Pacific Coast Region consists of documents organized into 15 sub-series identified by environmentally distinct regions. The fonds also contains publications received by Dr. Waldichuk in the course of his activities.

Fonds reflects Siebner’s intellectual and philosophical interests and ideas on art and life; his interactions with galleries, friends, family and patrons; travels; involvement in the Limners; pre-publication work for his monographs and other books; promotion and sale of art; and public art commissions.
The fonds consists of personal writing and poetry, correspondence, sales lists, inventories, exhibition announcements, sketches, clippings, photographs, film and video, prints and drawings.

The fonds consists of typescripts and proofs of "Nobody's Nothin': A Century of Child Saving", correspondence, photographs and research notes.

The fonds consists of correspondence, creative and academic working papers, and materials relating to Lawrence Durrell and his circle. In addition to Brigham's published and unpublished works, the fonds also hold unpublished materials by other authors. The Durrell-related materials include Brigham's partial reconstruction of Durrell's working library from his home in Sommières where Brigham visited him. The library was also reconstructed from Brigham's research at the Centre de Rechercher de Lawrence Durrell, founded by Francoise Kestman-Durrell, which has since been sold to l'Université Paris X in Nanterre. The fonds also includes a
number of photographs.

Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."

Fonds consists primarily of photographic prints, negatives and contact sheets of historic buildings and properties - preparatory material for Franklin’s co-authored publications on Victoria’s architecture. The fonds is arranged in four series: photographs - Victoria: A History in Architecture, 1843-1929; photographs - Exploring Victoria’s Architecture; architectural drawing - East School elevation (Lord Strathcona School), Vancouver, BC, 1897; and publications and printed matter.

Fonds consists of minutes (1898-1956) of meetings of the Shipyard Workers Union Local 238 (Boilermakers), and photographs of boilermakers and shipyard workers, ca. 1898-1940s.