The collection consists of a one page typed letter signed to an unknown correspondent Sept. 8. 1930 regarding the letters of D. H. Lawrence which Huxley was then editing.
The fonds consists of a typed signed letter to Mr. Bunting re the publication of Crowley's manuscript "Magick Without Tears". Bunting was associated with a publishing firm. He asks him to send the manuscript to John Symons.
The fonds consists of correspondence with George Woodcock, editor of "Canadian Literature" in 1971, re his submission of a review of Robin Skelton's poetry, plus a first draft of the review; correspondence with Rampant Lions Press (Will and Sebastian Carter), 1976-1977, regarding the printing of a collection of Hutchison's broadsides, plus copies of the broadsides; manuscripts, correspondence, artwork, notebooks, research materials and miscellaneous [This large collection (1996-020) is only roughly sorted and is on loan]. Notable correspondence includes George Woodcock, Susan Musgrave, Dennis Brown and the Rampant Lion Press.
The collection consists of essays written by Loft's students, including David Holmes-Smith and Lorraine Brand, for Loft's education courses at the University of Victoria concerning the history of education in B.C. and the history of Victoria's churches.
The collection consists of an unidentified manuscript [unpublished novel?, 1955?]; typescript and corrected page proofs of "Alien Corn", 1944; typescripts, carbon typescripts, and galley proofs of "Art & Outrage", 1959, and "My Friend Henry Miller", 1955; plus some correspondence with writers and publishers. Correspondents include Henry Miller, Anais Nin, Lawrence Durrell, Anne Rives and Neville Spearman Ltd. The collection also consists of 5 watercolours by Alfred Perlès; correspondence to Jacqueline Randal from Anne Barret and her daughter, Isobel; newspaper articles; Alfred Perlès' typewriter; and a watercolour print by Henry Miller.
The fonds consists of a cord-bound paper notebook containing a holograph musical play titled "A Pair of Them: A Musical Trifle in One Scene". Pasted on the inside cover is a clipping, depicting a scene from a production of the play at the Gaiety Theatre. There is a handwritten addition to the title page stating "Music Arranged Selected & Composed by Meyer Lutz". The cover is autographed by the author.
The collection consists of a handwritten letter to Laurenz M. Lamont from Martin Secker (Richards Press) re A.B. (Algernon Blackwood), plus photocopies of a handwritten letter to L.M. Lamont and a handwritten postcard to Mrs. Lamont from Blackwood.
The fonds consists of a 38 leaf 1/4 leather bound volume containing a handwritten translation into English (by F.E.) from a German translation by D.J.O.H. (Helbigius in 1682). The original was written in Arabic. Hand-coloured initial letter at beginning of text, part of text in red ink (leaf 31).
The fonds consists of Demers' collection of clippings from South African newspapers re: apartheid; pamphlets, correspondence, notes, brochures and clippings concerning South Africa and related matters; newspapers, magazines and journals published in and/or relating to South Africa, representing black, Jewish and Christian groups.
