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Fonds consists of annual files for the years 1975 to 1977. The records comprise a mission statement, correspondence, newsletters, essays, clippings and announcements.

The fonds consists of correspondence, published and unpublished literary works, notebooks, sketchbooks, desk diaries, financial accounts and agreements, and ephemera. Correspondents include family and friends, professional and business associates, and aspiring poets and fans. Many letters include enclosures such as pamphlets, manuscripts, drawings, reports, plans, contracts, scripts, clippings, and bills. The correspondence series include occasional replies from Betjeman. Major correspondents (more than 35 letters) include: J.R. Ackerly, John Arlott, Betjeman family, John Edward Bowle, Maurice Bowra, B.B.C., Bryan House School, Hugh Casson, Leonard Clark, William Clonmore, J.N. Comper, Patrick Cullinan, Curtis Brown, Daily Telegraph, Tom Driberg, T.S. Eliot, Frederick Etchells, Faber and Faber, Peter Fleetwood-Hesketh, The Georgian Group, Grand Opera Productions, Great Britain Department of Environment, Great Britain Ministry of Housing and Local Government, Greater London Council, Ken Griffiths, Samuel Gurney, David Higham Associates, Bevis Hillier, Historic Churches Preservation Trust, Helen Holmes, Edward James, Wilfrid Jarvis, Oliver Kenross, G.A. Kolkhurst, Osbert Lancaster, Brazley Mitchell, John Murray Publishers, National Association of Alms Houses, National Trust, Edmund and Margaret Penning-Rowsell, John and Myfanwy Piper, Percy Popkin, Alan Pryce-Jones, Ann Reed, Royal Fine Art Commission, Camilla Russell, Martyn Skinner, John Sparrow, The Spectator, Olivar Stonar, John Summerson, Geoffrey Taylor, Time and Tide, Victorian Society, Evelyn Waugh, Keith Wedmore, Weekend Telegraph, and Mary Wilson.

The fonds consists of biennial conference communications, strategic appraisals, position papers, administrative records, newsletters and material relating to the controversial CBC documentary "The Valour and the Horror" including correspondence, articles, clippings and government transcripts.

The fonds consists of records of Herbert Thomas John Coleman, including worksheets of his poetry and prose (also including two poems and an essay by his brother, Rufus Arthur Coleman); Coleman family photographs and negatives, financial records and certificates; correspondence from Coleman to other family members; scrapbooks of Coleman's poems, clippings and brochures; academic journals containing essays by Coleman and copies of Coleman's illustrated books for children, containing holograph inscriptions and extensive annotations.

The fonds consists of Demers' collection of clippings from South African newspapers re: apartheid; pamphlets, correspondence, notes, brochures and clippings concerning South Africa and related matters; newspapers, magazines and journals published in and/or relating to South Africa, representing black, Jewish and Christian groups.

The fonds consists of personal papers including a diary (1923) and correspondence; professional papers, including: appreciations, music, copywriting, magazine publications; and papers that he collected including pamphlets, press clippings and ephemera.

The fonds consists of correspondence received by Montague in his capacity as editor plus a few carbons of his replies. Correspondents include Peadar O'Donnell, Liam Miller, Thomas Kinsella, and some of the other contributing writers: Aidan Higgins, Pearce Hutchinson, Val Iremonger, John Jordan, James Liddy, John McGahern, Brian Moore, Richard Murphy, James Plunkett, Richard Weber, Leslie Daiken, and Thomas McIntyre. There are also some miscellaneous letters and items; including letters from Samuel Beckett and Robin Skelton. Included with the correspondence are a few holograph notes, cuttings, manuscripts, pamphlets, and ephemera relating to The Dolmen Miscellany.

The collection consists of photocopied clippings and articles, newspapers, periodicals, photographs, typescript (in German) and miscellanea.

The fonds consists of material about the genealogy of the Holland Family and some family memorabilia. It includes a book, printed 'for private circulation only' in 1899 (reprinted with additions, 1915) by Thomas Erskine Holland, called "The Hollands of Conway".

The fonds consists of 12 Series: Greentree Press; Publications with Related files; Small Format Broadsheets, Cards and Single Leaf Printings; Job Printing including: Publicity Brochures, Menus, Broadsides and Business Cards; Subject Files; Office Files; Fireweed Printing Samples; News Clippings; Photographs; Large Format Broadsheets; Certificate and Event Posters; Linocut Blocks. Correspondence is retained in the associated files.