The collection consists of a carbon typescript, with her holograph corrections, of "D.H. Lawrence" (first version) and a carbon typescript, with her holograph corrections, of "W.B. Yeats: Some Memories", together with 2 photographs; one of Patmore and the other of W.B. Yeats, both taken at Rapallo 1928-29. Also included are two explanatory sheets by her son, Derek Patmore. The first is a typescript "Brigit Patmore & D.H. Lawrence", the second a manuscript "Some memories of WB Yeats by Brigit Patmore".
The collection consists of correspondence from Durrell to Alfred Perlès, William Woods, John Lehmann, Peter Russell, Tambimuttu (LD's notes on Dylan Thomas in the form of a letter), and others; also included are a corrected proof of "Balthazar"(sent to Perlès); a sketch (1959) by Eve Miller of Henry Miller, Alfred Perlès and Durrell; and, a watercolour by "Oscar Epfs" (pseud. of L. Durrell) done for a record sleeve "Songs of Greece" plus a Xmas card reproduced from the painting in 1964. Alfred Perlès later changed his name to Alfred Barret, and was often addressed by Durrell and Miller as Joe or Joey in their letters to him.
The collection consists of letters written by Forster to Randall. They concern, firstly, his trip to Rumania, where he stayed with the Randalls; a tour in France in 1928; and his journey home. Later letters include references to such literary people as Herbert Read, Harold Monro and T.S. Eliot, plus a mention of reading James Joyce's "Ulysses". He also refers to his visit to Africa and his sentiments about the Spanish Civil War and W.W.II. Most of the later letters are signed "Morgan".
The collection consists of manuscripts and typescripts of essays of Laura Riding (some with holograph corrections), with typed notes by Riding describing them. The collection also includes records relating to the work "The Telling", including typescripts with corrections.
The collection consists mostly of correspondence from Russell about his social and literary activities. The vast majority of this correspondence is to William K. Magee. There are a few letters to Charles Weekes, Robert Graves, and Miss Buxton. In addition, there is a letter from AE's son Diarmuid Russell to Magee re Magee's proposed biography of AE and a photocopy of a letter (transcript) to Judge Richard Campbell from Dudley Digges re Campbell's broadcast "Farewell to AE". Other materials include a few clippings about AE (obit etc.) and an undated b/w photo of AE.
The collection consists of manuscript material, consisting of a carbon typescript, corrected of "An Explanation" (being the preface to Shaw's edition of the Shaw-Ellen Terry correspondence); a manuscript of "Motives of Socialism"; and marked proofs for "Shaw Speaks on War" (a transcript of a short wave broadcast in 1937). Also included is correspondence with Elbridge Adams, Hubert Bland, William Archer, William J. Pickerell, and Harold Laski, together with correspondence from Janet Achurch to Hubert Bland. There is also a small amount of ephemera.
The collection consists of mainly of correspondence. Most of the letters are from Dylan Thomas to John Lehmann, David (Tennent ?), G.V. Roberts and Clifford Dyment. Also included are letters from Daniel Jones and Vernon Watkins to (G.V.?) Roberts and from Denys (Kilham Roberts?) to Lehmann. The letters relate to personal activities and various literary matters. The other material is ephemera: a b/w postcard of the Augustus John portrait of Dylan Thomas, and a clipping of Thomas' obit. from The Tenby Observer and Country News, Nov. 18, 1953.
The collection consists primarily of published map series of Europe during World War I and World War II, and several of Asia, Africa, Australia and North America. Some aerial photographs are included.
The collection consists of Wilenski's correspondence with Henry Moore relating to Wilenski's lectures on modern art and the acquisition of photographs and drawings from Moore.
