Fonds consists of the following series: Logbooks, 1979-94; Minutes and agenda, 1979-98; Correspondence, 1975-97; Subject files, 1981-97; Synoptic journals, 1988-97; Month-end reports, 1995-97; Record of deposits, 1988-1996; Year-end reports, 1991-96; Day-end sheets, 1992-1996; 3 audiocassettes, including an interview with C.B.C. re: Canada Customs seizing two comic books; a display entitled, "In the beginning, 1975...", and the Everywoman's Book stained glass window sign.
The collection consists of autograph manuscript of The Great Hunger and Self-Portrait. The Great Hunger is 58 recto pages on 23x18 cm sheets. The poem is a fair copy that has some corrections; it was first published by the Cuala Press, 1942. Self-portrait is in a lined 20x16 cm notebook on 31 recto pages and titled "Patrick Kavanagh 1962 Self-Portrait"; some words are corrected.
The collection consists of manuscripts, typescripts, page proofs, galley proofs, correspondence and original illustrations of early books published by the Dolmen Press, comprising some of the work of about 25 writers. Included among these authors are Austin Clarke, Padraic Colum, Thomas Kinsella, and Richard Murphy. Also included are translations of earlier works in Irish and an edition of one of W. B. Yeats' works.
The collection consists of a Xerox copy of the original typescript for projected publication, with a letter dated October 10th, 1969, (1 p. part holograph, signed) from the author to Alan Brilliant (Unicorn Press) about the possibility of publication of "The Man with seven toes" in the U.S. There is a carbon copy of Alan Brilliant's reply.
The collection consists mostly of correspondence from Russell about his social and literary activities. The vast majority of this correspondence is to William K. Magee. There are a few letters to Charles Weekes, Robert Graves, and Miss Buxton. In addition, there is a letter from AE's son Diarmuid Russell to Magee re Magee's proposed biography of AE and a photocopy of a letter (transcript) to Judge Richard Campbell from Dudley Digges re Campbell's broadcast "Farewell to AE". Other materials include a few clippings about AE (obit etc.) and an undated b/w photo of AE.
The collection consists of letters and verse written by Gogarty to G. K. A. Bell, Ulick O'Connor, and others [some of this material used in: Ulick O'Connor's The Times I've Seen: Oliver St. John Gogarty, NY, Obelensky, 1963, (SC) PR6013 O28Z8]. The others include 2 hls to W.R.. Fearon (1937), 3 pp re evidence given by Fearon in Henry Morris Sinclair's libel suit against Gogarty; 1 hls, 1 p to the President of the Irish Free State (11.09.38); 1 tls with h. additions, 3 pp to J.M.N. Jeffries (16.05.1933); 1 p h. with an 8 line comic verse about Hitler signed and dated 13.01.44; 1 tls., 1 p to "Seamus" (13.09.49); 1 tls. 2 pp to Mr. Smart (21.04.52). Also included is a holograph verse 6 pp. "To his Extraordinary Friend George Kennedy Allen Bell about to go to Switzerland," no date, on stationary headed "The Tower, Sandycove".
The collection consists of manuscripts and typescripts of essays of Laura Riding (some with holograph corrections), with typed notes by Riding describing them. The collection also includes records relating to the work "The Telling", including typescripts with corrections.
The collection consists of a three vol. set of Shakespeare's Works (J. Payne Collier, Lupton Pub. New York, n.d.) which Malcolm Lowry has used as notebooks, as well as for annotations on the texts themselves. These volumes, given by Lowry to his friend George Stevenson, were used as a resource by Lowry, especially during the composition of Under the Volcano. The volumes include poems and jottings by Lowry on fly leaves and paste-downs and on p. 944. In addition, textual annotations by Lowry occur most heavily in The Tempest, Merchant of Venice, Timon of Athens and, to a lesser extent, The Sonnets.