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Department of Theatre fonds

  • CA UVICARCH AR201
  • Archief
  • 1963-

Fonds includes the following series: Departmental meeting minutes, 1964-69, 1972-82; Planning for Theatre building, 1975-81; Theatre production, 1963-83; Theatre production for Phoenix Summer Theatre, 1972-81, 1986-87; Theatre production for Senior Secondary Summer Theatre Workshop, 1966-82; Theatre production scripts, 1964-89; Theatre production photographs, 1965-83; Theatre production slides, 1963-86.

University of Victoria (B.C.). Dept. of Theatre

Alan Gowans fonds

  • CA UVICARCH AR061
  • Archief
  • 1964; 1966

The fonds consists of typescripts of Images of American living (7 files), and page proofs for The restless art (3 files).

Gowans, Alan

Aiyyana Maracle fonds

  • CA UVICARCH SC536
  • Archief
  • 1964-2016

The fonds documents Aiyyana Maracle life and work as performance artist and writer, creator of and participant in arts festivals, her committee and conference work, scholarship, teaching, Six Nations land rights activism, transgender visibility and health projects, and personal activities. Records consist of textual records, graphic material, analog and digital sound and video recordings, and objects. Objects are comprised of garments, masks, accessories, animal bones and skins, and miscellaneous objects used in performance art and art installations. The fonds is arranged into ten series: performance art, visual art, writing, scholarship, conferences and committees, Six Nations activism, two-spirit and transgender material, notebooks and loose notes, personal records, and bibliographic records.

Maracle, Aiyyana, 1950-2016

Biddy Gaddes fonds

  • CA UVICARCH AR375
  • Archief
  • 1964-1976

Fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.

Gaddes, Biddy, 1919-2013

Malahat Review fonds

  • CA UVICARCH AR089
  • Archief
  • 1965-1983

Fonds consists of records of the Malahat Review (Issues 1 through 64) and includes typescripts of articles, short stories and poems submitted to the magazine; galley proofs, page proofs; minutes of meetings of the Malahat Review Editorial Board; general financial and administrative records relating to the magazine's founding by Robin Skelton and John Peter; correspondence of Skelton and Peter concerning submissions to the magazine, requests for submissions to special issues, the magazine's financial crisis in 1975 and appeals to subscribers for support; account books recording works submitted; photographs; press releases; newsclippings.

Malahat Review

Glenn Howarth fonds

  • CA UVICARCH AR465
  • Archief
  • 1966-2009

The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.

The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.

Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.

The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.

Howarth, Glenn

Victoria Fair fonds

  • CA UVICARCH AR231
  • Archief
  • 1968-1972

The fonds consists of four series: publicity, grants, correspondence and finance. The publicity series consists of advertising (programmes and brochures), news releases, press clippings and publicity photographs. The grants series consists of correspondence and applications to the BC Cultural Fund, Canada Council, Intermunicipal Committee, and the Koerner Foundation. The correspondence series consists of correspondence and related documentation with or regarding Actors' Equity Association, Attendance, Board of Governors, Emily Carr Centenary, Greater Victoria Centennial 71, McPherson Playhouse, Ottawa trip, and Victoria Fair Council. The financial series consists of budgets and accounts for 1969, 1970, and 1971.

Victoria Fair

Sandra Meigs fonds

  • CA UVICARCH AR138
  • Archief
  • 1970-2007

Fonds reflects Meigs’ artistic development, relationships with galleries, and teaching career, and consists of articles, brochures, correspondence, essays, lecture notes, notebooks, exhibit posters, photographs, scripts and other writings. Exhibitions and writings include: "The Scab Picker," "The Western Gothic," "Joy Joy Sorrow," "The Newborn," "Swoon," "Scenes for My Affection," "Purgatorio - A Drinkingbout," and "A Dense Fog."

Meigs, Sandra, 1953-

John McLauchlin fonds

  • CA UVICARCH AR104
  • Archief
  • [19--?], 1970-1975

The fonds consists of correspondence regarding opera scores and performances from several organizations, including the Royal Conservatory of Music, the Library of Congress, the Metropolitan Opera, and Opera Rara; correspondence from several individuals and musicians, including Joan Sutherland; several miscellaneous programs and advertisements for performances; autographs of Beverly Sills; and 1 photograph of Beverly Sills and McLauchlin.

Everywoman's Books fonds

  • CA UVICARCH AR050
  • Archief
  • 1970 - 2002

Fonds consists of the following series: Logbooks, 1979-94; Minutes and agenda, 1979-98; Correspondence, 1975-97; Subject files, 1981-97; Synoptic journals, 1988-97; Month-end reports, 1995-97; Record of deposits, 1988-1996; Year-end reports, 1991-96; Day-end sheets, 1992-1996; 3 audiocassettes, including an interview with C.B.C. re: Canada Customs seizing two comic books; a display entitled, "In the beginning, 1975...", and the Everywoman's Book stained glass window sign.

Everywoman's Books

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