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Fonds documents Munro's activities as a diplomat and Member of Parliament, personal research interests, and ongoing political concerns, and include correspondence, memoranda, manuscripts and research materials. Research subjects include Abortion, the Canada/Alaska Boundary Dispute, the Canadian Constitution, External Affairs, Eugene Forsey, the Middle-East, the National Debt, Sidney, B.C., and South Africa. The fonds consists of the following series: Member of Parliament speeches and other material (1972-1990); External Affairs correspondence, manuscripts and research (1955-1990); correspondence relating to research subjects and political concerns (1961-1996); research materials (1967-1995); manuscripts (1946-1993); and personal correspondence and other materials (1925-1993).

The fonds consists of drafts of his works, including handwritten manuscripts, typescripts and carbon copies with sometimes extensive corrections of much of his published work and several unpublished titles; correspondence from personal friends and publishers; Goldring's letters to the editor; diaries and notebooks, 1903-1960; newspaper clipping files; and a Goldring biography file. Names of correspondents include: Richard Aldington, John Betjeman, T.S. Eliot, Emma Goldman, Aldous Huxley, W.S. Maugham, and Alec and Evelyn Waugh. The largest correspondence files are from Mary Butts, Ethel Mannin and Louis Wilkinson. Also included is a file of correspondence from Betty Duncan to Conal O'Riordan. She later became Goldring's first wife and the mother of his two children.

Fonds consists of KCIR minutes, 1979-1984; Expanded KCIR Meetings and letters, 1980-1985; Reports and statements, 1924-1973; Communications with non-affiliated, Reformed, USCC, and news reports, 1947-84; Sons of Freedom meetings and letters, 1980-84; Statements from individuals, families and groups, 1950-87; and two manuscripts: "Gloom shadow of Ivan the Terrible," Anonymous, and "The Doukhobors: their history, life and struggle," by Peter N. Maloff. Many of the meeting files also include statements from Doukhobors.

Fonds consists of 4 series: the Frank Sylvester series, ca. 1862-1908; the Cecelia Davies Sylvester series, ca. 1854-1928; Family ephemera series, 1867-1918, and Photographs, ca. 1870-1950. The Frank Sylvester series includes: cannery contracts, legal invoices, lecture manuscripts, and a diary. The Cecelia Davies Sylvester series includes: an autograph book, and scrapbooks containing clippings, photographs and ephemera. The Family ephemera series includes: biographical information, documents, pamphlets and publications. The Photographs series includes: photographs, negatives, and glass plate negatives.

The collection consists of: Barker's correspondence (1934-1964); news clippings (1933-1968); sketches (1963-1965); holographs and transcripts of essays (1937-1969); notebooks; holographs and typescripts of poetry (1954-1970); contracts (1933-1964); marked proofs; a heavily annotated copy of Elizabeth Smart's A Bonus (1977), and an annotated copy of Aristotle's Poetics etc., which Barker used for reviewing Ezra Pound's XXX Cantos.

The fonds reflects Glenn Howarth’s interests and ideas on art and life, as well as his relationships with friends, family, students, patrons and galleries.

The fonds consists of unpublished novels and short stories, diaries and journals, notes, correspondence, photographs and negatives, sketchbooks, drawings, financial and personal documents, grant applications, teaching materials, newspaper clippings, publications including exhibition catalogues and art journals, floppy discs, VHS tapes and various ephemera.

Correspondents include Garry Howarth, Tom Balloon, Janice Bailey, Laura Anderson Ho, Martin Honisch, Hazel French, the Royal Canadian Academy of Arts, and the Canada Council.

The fonds has been arranged into six series: Personal papers, Art practice, Writings, Correspondence, Teaching, and Electronic and audio-visual materials.