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The fonds consists of correspondence with George Woodcock, editor of "Canadian Literature" in 1971, re his submission of a review of Robin Skelton's poetry, plus a first draft of the review; correspondence with Rampant Lions Press (Will and Sebastian Carter), 1976-1977, regarding the printing of a collection of Hutchison's broadsides, plus copies of the broadsides; manuscripts, correspondence, artwork, notebooks, research materials and miscellaneous [This large collection (1996-020) is only roughly sorted and is on loan]. Notable correspondence includes George Woodcock, Susan Musgrave, Dennis Brown and the Rampant Lion Press.

Fonds documents Naylor's life and work as organ scholar and composer. The fonds consists of correspondence to associates, friends and family, 1935-1984; miscellaneous programs, scrapbooks, ephemera, newspaper clippings, and photographs; manuscript choral, instrumental and vocal scores of Naylor's work, and others, 1924-1983; sound recordings of folk songs, chamber music, instrumentals and interviews, and recordings of other composers' work.

The fonds consists of records documenting the administrative and operational activities of Gray's Publishing Ltd., including financial records, files relating to promotion and advertising, drafts of books published by Gray's and books initially accepted but never published; book lists and correspondence of the B.C. Department of Education; correspondence with authors, book and magazine publisher, lawyers and accountants; book publishing surveys conducted by Statistics Canada; guest books signed by attendees at publishing conferences; and material relating to bankruptcy including past due accounts and lists of creditors. There is correspondence and are manuscripts from about 70 authors. These include Lewis Clark, George Clutesi, Sister Mary Margaret Down, Godfrey Halloway, S.W. Jackman, Lawrence Jackson, Charles Lillard, Harry Marriott, Hazel O'Neail, Thead Pearse, Sarian Stump and Allen Wright.

The collection consists of manuscripts and typescripts of essays of Laura Riding (some with holograph corrections), with typed notes by Riding describing them. The collection also includes records relating to the work "The Telling", including typescripts with corrections.

The collection consists of manuscripts and typescripts of The Group; manuscripts of poems; a manuscript of Hobsbaum's doctoral dissertation "A Theory of Communication", with holograph corrections by William Empson, Professor of English at Sheffield University; and letters to Hobsbaum from Empson relating to the supervision of Hobsbaum's doctoral thesis. The Group manuscripts are by Taner Baybars, Martin Bell, Alan Brownjohn, Julian Cooper, Anne Dyke, Christopher Hampton, Arthur Jacobs, Rosemary Joseph, Owen Leeming, Christopher Levenson, Edward Lucie-Smith, George MacBeth, Robin McLaren, Adrian Mitchell, Margaret Owen, Michael Pickering, Peter Porter, George Raphael, and Peter Redgrove.

The collection consists of Graves' autograph diary (1935-1939), with enclosures including letters from his children, photographs, clippings, and transcripts of poems, articles and letters; correspondence written by Graves to various people, including Isla Cameron, Selwyn Jepson, Aemilia Laracuen, Andrew Mylett, and Raphael Patai; poetry worksheets (1965-1970) and prose and poetry worksheets (1970); manuscripts including essays, reviews, forewords, prefaces, articles, lectures, and for the works "King Jesus", "The Anger of Achilles", "Hebrew Myths: The Book of Genesis", "Greek Gods and Heroes", "An Ancient Castle", "La Luna de los Perros", and "Juvenalia and Other Poems"; photographs; and drawings of Majorca by Paul Hogarth. The collection is arranged in lots as its various parts were acquired not as a single purchase but from different book dealers at different times. The collection also consists of a copy of a letter from Robert Graves to UBC chemist Lionel Harrison with sample pages from the poetry book it refers to. The collection also consists of a portrait of RG by John Ulbricht done in 1968.

The collection consists of letters from A.R. Orage, 1933-1934, manuscripts by Armstrong for "Focus" 21, "The Literary Digest", etc. (1945-1970) plus a review, a note, and a mss for "The Poetry Review" by G.S. Fraser, 1950-1952. Also included in the collection are enclosures from "Ten Contemporaries" [1932 & 1933]. These enclosures consist of research material and correspondence: re the publication of the two volumes, and the writers included in them.

The fonds consists of records relating to Peter's teaching and research activities, including research grant applications, letters of recommendation and lists of bibliographic citations; notes, outlines, fragments, notebooks, manuscripts and galleys for "Along That Coast", "Take Hands at Winter" and "Runaway", as well as unpublished novels by Peter and correspondence with publishers regarding "Along That Coast" and "Runaway". The fonds include a small amount of material relating to Professor Peter's research and teaching activities, but primarily they document his writing activities, particularly the preparation of his novels, as well as unpublished works of fiction and essays.

Fonds consists of copies of government reports, minutes of meetings, notes of conversations with several fellow lobbyists including General McNaughton and Paul Martin, and correspondence received in response to his articles. The files gather much of what was written or published about the Columbia River Treaty between 1944 and 1968, and provide a unique chronology of the activities and strategies used to oppose it.

The fonds consists mainly of manuscript, correspondence, and photographs relating to the book "James Joyce in Paris: His Final Years". Included are a typescript "On Photographing Joyce" with holo. notes; Freund's photographs with a typescript list of those not included in the book; Carleton's typescript and her typescript translation of the preface; a dummy copy for the book; galley proofs; a paste up of the title page; and a few photos and sample text. Also included are: a newspaper account of the book in "Le Figaro"; a holograph preface written by Simone de Beauvoir; release letters from people included in the book, among them Henry Miller.