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The collection consists of examples of Canadian design spanning the 20th century. Includes print materials, ephemera, and objects.

The collection consists of pages of holograph poetry removed from a copy of Lander's Like Stepping Stones above the Traffic (1987), plus other leaves of holograph poetry.

The collection consists of one printed leaf on paper with glossed text. Gloss on verso encircles text proper. Sections marked by red and blue initials. Page numbers XXVII and DI in red. 285 x 427 mm. Circa 1500. Includes one manuscript leaf on parchment. Eight lines or music on recto, ten lines of music on verso. Staff lines and first letters are in red. On recto is hymn “Quemque pastores vigils adorant,” followed by Angelus, which continues to verso. Second unidentified hymn on verso. 285 x 432 mm. Circa 1500. Also includes a letter from Pierre Elliott Trudeau (June 25, 1997) and a letter from Timothy Findley (May 1, 2000).

Collection consists of rare and difficult to obtain limited distribution documents relating to specific case studies, most of which have been printed and distributed by governments and industrial agencies. They generally contain environmental data, and may have interpretive sections. Some documents contain copies of government permits and associated correspondence. The collection is arranged in five primary research subjects: Pulp and Paper Mills, Toxicolocy, Victoria Sewage, Coast and Island Mines, and Regional Collections. Each subject is divided into case studies. Within each case study, documents are arranged in alphabetical order by author.

The newsletters and pamphlets are listed in alphabetical order by author. They date from the late 1950s to the early 2000s (predominantly 1970s to 1990s) and cover subjects such as women's rights and human rights, pornography, the peace movement, nuclear disarmament and arms control, sexual abuse, family violence, women's economic social conditions, lesbian issues, environmental protection, feminist theory and women's history.

The collection consists of five pins, including a gold and diamond pin, IFGE and Southern Comfort.

The collection consists of Rudolf Komorous‘s score of “Lady Blancarose”.