The fonds consists of three typescripts: 1) "An Annotated Elizabeth" - a partial annotation of Dick Diespecker's [1950] 'Elizabeth' (semi-biographical novel of his mother); 2) "Family, Fictions, Frictions"; 3) "Opsaal" (Diespeckers in South Africa 1901).
The fonds consists of Livesay's files on Canadian Literature, 1967-1974; teaching files on Canadian authors used for her Canadian literature courses, 1967-1974; and audio tapes of her interviews with various poets, 1964-1974, including Jean Crawley, Alan Crawley, Michael Crawley and Pierre Coupey, as well as a reading of poems for children by Red (Richard Stanley) Lane.
The fonds consists of drafts of his works, including handwritten manuscripts, typescripts and carbon copies with sometimes extensive corrections of much of his published work and several unpublished titles; correspondence from personal friends and publishers; Goldring's letters to the editor; diaries and notebooks, 1903-1960; newspaper clipping files; and a Goldring biography file. Names of correspondents include: Richard Aldington, John Betjeman, T.S. Eliot, Emma Goldman, Aldous Huxley, W.S. Maugham, and Alec and Evelyn Waugh. The largest correspondence files are from Mary Butts, Ethel Mannin and Louis Wilkinson. Also included is a file of correspondence from Betty Duncan to Conal O'Riordan. She later became Goldring's first wife and the mother of his two children.
The collection consists of 3 typed, signed letters; a postcard; 5 Christmas cards; and a short note from Cummings. (tls to Peter Russell, the rest to Mrs. Ellen Stevenson). One of these letters relates to reprinting one of Cummings' articles. One Xmas card is a reproduction of a painting by E.E. Cummings (stamped on verso "Painting by E.E. Cummings").
The collection consists of a menu "A Complimentary Dinner to Professor E.J. Pratt M.A., Ph.D., upon the occasion of the launching of 'The Roosevelt And The Antinoe'. It is autographed on the front cover by Hugh Eayrs, Charles G.D. Roberts, and Ned Pratt.
The collection consists of letters written by Forster to Randall. They concern, firstly, his trip to Rumania, where he stayed with the Randalls; a tour in France in 1928; and his journey home. Later letters include references to such literary people as Herbert Read, Harold Monro and T.S. Eliot, plus a mention of reading James Joyce's "Ulysses". He also refers to his visit to Africa and his sentiments about the Spanish Civil War and W.W.II. Most of the later letters are signed "Morgan".
The fonds consists of birth and marriage certificates, household accounts and naturalization papers; diaries and notebooks kept by Else Seel, including prose fragments, poetry, notes, draft letters to and about Ezra Pound, and ideas for stories and poems; carbon typescripts of works by Jim Clark and H.E. von Wittgenstein; music and lyrics written by Seel and others; coloured drawings of Else Lübcke, Gloria Seel, landscape scenes and copy of Emily Carr's "D'Sonoqua"; correspondence with family, friends and fellow writers, including Ezra and Dorothy Pound; photographs and photo albums of Else Seel with family and friends in Germany and Canada; transcripts and carbons of Seel's prose work, including stories in German and variant drafts of "Kanadisches Tagebuch" (Canadian Diary), and book reviews written by Seel; transcript drafts of German and English poems by Seel and translations by Seel of other poems; transcripts and clippings of Seel's published poems and prose and reviews of her work; German books on history and literature, musical scores, audio tapes of works read by Seel and others, and tape of family gatherings; scrapbooks of visits to California and mementos of Victoria.