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The fonds consists of correspondence; manuscripts of plays, short stories, novels and poetry; newspaper articles; essays in German and English; plus photographs and negatives.

Fonds consists of notes, correspondence, certificates, photographs, newspaper clippings, albums and artifacts relating to Wallace's life at Victoria College and the University of Victoria.

Fonds consists of the following series: academic diplomas, 1907-1914; personal correspondence from Hamilton to her family during a trip to Europe, 1921-1922; and photographs of her European travels; other photographs documenting Hamilton's time at Victoria College, 1909-1950.

The collection consists of photographic glass-plate transparencies depicting life in Japan, including scenery, street scenes, workers, farming, fishing, silk production, stone carvers, wood carvers, metal workers, potters, and artists. These "Yokohama photographs" were sold to foreign tourists between about 1868 and 1912, before cameras and postcards were generally available. They have been described in: Meiji no Nihon: Yokomana shashin no sekai: Saishoku arubamu. Yokohama-shi Yurindo, 1990. (Meiji Japan in tinted album: the world of Yokohama photographs -- includes bibliographical references). The collection also consists of photograph and postcard albums collected by Herbert and Annie Geddes between 1907 and 1959.

The collection consists firstly, of poetry manuscripts and proofs including "Personae", "Lustra", and "Canzoni and Ripostes"; secondly, a prose manuscript of "That Audience, or the Bugaboo of the Public"; and thirdly, of correspondence to Elkin Mathews (publisher), St. John Adcock, Harry and Caresse Crosby (Black Sun Press), Louis Zukofsky, The British Union of Fascists, T. S. Eliot, Montgomery Belgion, Michael Harald, Clifford Gessler, and others.

The fonds consists of subject files of lecture notes and essays by Hofmann, and articles on ethnic and music studies; correspondence to Hofmann from Andre Renaud regarding Indian music and from R. Tully regarding Mexican Indians; catalogues, magazine articles, supply lists and publicity material; scrapbooks containing clippings, copies of Hofmann's lecture and radio programmes, photographs and essays; photographs of aboriginal people in Africa, Alaska, the U.S., Canada, New Zealand, and New Guinea; and stills from National Film Board of Canada productions.

The fonds consists of records documenting activities of Robert Mayhew and family, including subject files relating to Mayhew's career as Canadian Ambassador to Japan and as Minister of Fisheries, records of Grace Logan Mayhew, including diaries and notebooks on Japanese arts and crafts kept by Mrs. Mayhew on sojourns in Rome and Japan and material relating to her funeral in 1967; photographs of visits of Japanese dignitaries and the British royal family, as well as portraits of Canadian prime ministers; certificates of Mayhew's honorary Doctor of Laws degree, Freeman of Oak Bay and Victoria, and appointment of Mayhew as Minister of Fisheries and as Ambassador to Japan.

The fonds of the Victoria Branch of the Dickens Fellowship is comprised of documents reflecting the activities of the Branch, such as correspondence, meeting minutes, membership information, programmes, scrapbooks, posters, menus, and financial records, dating from 1913 to 1998. The fonds also includes ephemera pertaining to British author Charles Dickens, including scrapbooks, greeting cards, and portraits, which the Dickens Fellowship compiled. The fonds is a window into the Fellowship’s founding, originally as the Victoria Dickens Club, events, and connection with other branches and the Dickens Fellowship. Many of the documents reflect the work of Dorothy Hewitt White who served the Fellowship in several capacities. The fonds provides insight into the ways in which Charles Dickens has been read, performed, and commemorated in Victoria, and more broadly, the social activities of a literary society in Victoria, predominantly in the first half of the twentieth-century.

The fonds consists of approximately 550 presentation drawings, sketches, conceptual drawings, working drawings, technical drawings (inclusive of blueprints), travel sketches and photographs. These include exterior and interior renderings of plans and designs for work produced in both Europe and in China. The architectural collection consists of works by Hudec and two other unknown authors. The work of Hudec is transcribed in English, German and Chinese characters. The work of the unknown authors is transcribed in Hungarian and German. There are also 2 boxes of textual records including notes, notebooks, photo albums, documents, letters, memos, scrapbooks, photos, legal records, rare journals, and newspapers clippings.

The collection consists mainly of material generated in the process of publishing the book Yeats the Initiate (1986), consisting of typescripts, drafts, paste-ups, illustrations, and proofs; plus correspondence, mainly to Liam Miller at the Dolmen Press.