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Fonds reflects Foster’s artistic processes and practices, research interests, pedagogy, and her relationships with galleries, patrons, students and friends. Fonds consists of sketches, tracings, small paintings and prints, paint samples, printing plates, notes, correspondence, photographs, slides, negatives, exhibition catalogues, newspaper clippings, art publications, receipts and sales documents, inventories, Foster’s diplomas, and various ephemera.

Correspondents include Ed Hill, Barbara Demaray, Fritz Eichenberg, Anna Vakar and several businesses and galleries.

The fonds has been arranged into three series: Art practice, Publications and clippings, and Teaching.

Fonds reflects the activities and interests of the Women’s Organization for Political Prisoners as well as the involvement of Mayne Ellis, the donator of the fonds’ materials, with the organization and their campaigns. Fonds consists of correspondence, postcards, photographs, WOFPP’s newsletters and bulletins, printouts, press releases and reports.

Correspondents include WOFPP leader Hava Keller, Mayne Ellis, the Bureau of the Israeli Prime Minister, Israel Police, the Ministry of Justice of the State of Israel, the World Medical Association, the Israeli Prison Service, and the Council for the Advancement of Arab-British Understanding.

Fonds reflects Niela Miller’s public involvement in transgender education and counseling of the trans* community and “gender identity explorers.” Miller’s work, focused primarily in the United States, is represented here in the records of her workshops, presentations, and publications. Fonds consists of correspondence, notes, photographs, publications and reviews, brochures, graphic materials, audiocassettes, and other materials.

Fonds has been arranged into four series: Workshops and presentations; publications and clippings; photographs; and audio-visual.

The fonds consists of records documenting the life and work of Maltwood, including notebook containing Maltwood's notes on art history; certificates from the British Empire Exhibitions of 1924 and 1925, and certificate of membership in the Grand Lodge of England (Ancient Masonry); Maltwood's will (1959); family and business correspondence; correspondence, maps, aerial photographs articles and research notes on the Glastonbury Zodiac Project; published articles and monographs by Maltwood and reviews of Maltwood's works by others; notebooks of clippings compiled by Maltwood; collected material including periodicals, catalogues, pamphlets, clippings; photographs of sculptures by Maltwood, and photographs of the Maltwood and Sapsworth families; catalogues and programmes of the Maltwood Art Museum. Also included are materials from the Katherine Maltwood Media Project.