The collection consists of letters from A.R. Orage, 1933-1934, manuscripts by Armstrong for "Focus" 21, "The Literary Digest", etc. (1945-1970) plus a review, a note, and a mss for "The Poetry Review" by G.S. Fraser, 1950-1952. Also included in the collection are enclosures from "Ten Contemporaries" [1932 & 1933]. These enclosures consist of research material and correspondence: re the publication of the two volumes, and the writers included in them.
The fonds consists of three scrapbooks, using the Official Telephone Directory Quebec for December 1915, June 1916, and July 1917. They document World War I, including clippings, honour rolls, correspondence, notes, obituaries, articles and columns relating to the progress of the war and, particularly, to news of men and women from Lennoxville, Quebec, and nearby areas who participated in the war.
The collection consists of a printed invitation to Auden's birthday party in 1961 plus carbon and Xerox copies of typed letters and holographic notes from Pulitzer Prize administration to Auden listing books sent to him as a member of the Poetry Jury.
The collection consists of manuscripts and typescripts of essays of Laura Riding (some with holograph corrections), with typed notes by Riding describing them. The collection also includes records relating to the work "The Telling", including typescripts with corrections.
The fonds consists of RCAF Pilot's Flying Log Book, written by Rolls while at No. 6 Elementary Flying Training School (Prince Albert, Saskatchewan), 1941; RCAF Observer's and Air Gunner's Flying Log Book, while Rolls was at No. 3 Air Observer School, Regina, No. 12 Observers G.R. Course (1942), and with RCAF Squadrons, 1942-1945, including copies of messages from Eastern Air Command and monthly analysis of flying and proficiency assessments. Fonds includes various loose enclosures.
The collection consists of correspondence with publishers Michael Horovitz (New Departures) and John Martin (Black Sparrow Press); holograph manuscript fragments consisting of "I Suspend My Wait" (1955) and "This Is The Cave Of The Void Of Our Senses" from "Dark Brown"(1961), plus a copy of "Dark Brown" with an enclosed hls to Robert Hawley (1966); and a corrected typescript of an application for a Guggenheim Foundation Fellowship, 1967.
The collection consists of autographs of classical musicians and performers, written on programmes and slips of paper, plus an autographed photograph of Marilyn Horne; and correspondence between McKenzie and Yehudi Menuhin, Reginald Werrinwrath, and the Vancouver Festival Society, 1950-1959.
The collection consists of a three vol. set of Shakespeare's Works (J. Payne Collier, Lupton Pub. New York, n.d.) which Malcolm Lowry has used as notebooks, as well as for annotations on the texts themselves. These volumes, given by Lowry to his friend George Stevenson, were used as a resource by Lowry, especially during the composition of Under the Volcano. The volumes include poems and jottings by Lowry on fly leaves and paste-downs and on p. 944. In addition, textual annotations by Lowry occur most heavily in The Tempest, Merchant of Venice, Timon of Athens and, to a lesser extent, The Sonnets.